A Quote by Janina Gavankar

Pilot season is always crazy because you audition for a million things, and really, in the end, it's not up to you. — © Janina Gavankar
Pilot season is always crazy because you audition for a million things, and really, in the end, it's not up to you.
I wasn't really interested in doing anything except going from pilot season to pilot season and sowing my oats in the months between and telling my agency to stop sending me movie scripts, because they'd pile up in my house and make me feel guilty because I had to read them.
From an actor's point of view, you never really like to hope that anything will go beyond the pilot. I'd always say to my agent every time I filmed a pilot, 'Great! Well, I'll see you at pilot season.'
My auntie and uncle live in Inglewood, and I used to stay with them when I would come to L.A. to audition for pilot season and other things like that.
You read a million scripts during pilot season, and most of them are not very good, so the good ones really shine.
I was going to move to New York after college and had no interest in pilot season. I'd seen what happened on TV shows because of my dad, and I didn't want to open myself up to that. But 'Pretty Little Liars' had a very early audition, and my agents encouraged me to go even though I didn't think it would be my thing.
Pilot season isn't perfect, and it certainly is a very difficult time. But pilot season does work for us.
In between shooting for 'Awake,' I was attempting to have my own pilot season. The audition for 'Anger Management' actually came during a week that I was already testing for a couple other shows and we weren't really letting any other shows into the mix.
One of the things I noticed about the '2 Broke Girls' pilot was that it looked like a new episode in a season and not a pilot, and that's an amazing sign.
In between shooting for Awake, I was attempting to have my own pilot season. The audition for Anger Management actually came during a week that I was already testing for a couple other shows and we werent really letting any other shows into the mix.
('Mad Men') was my final audition of the pilot season. It had been three miserable, horrible months where I had zero callbacks, zero positive reception, one of those pilot seasons that makes you pretty sure you are never going to be an actor and never want to be an actor. And then that happened.
The audition process for 'Are You There, Chelsea?' was overwhelming and exciting. It was my first pilot season and one of the first pilots I auditioned for.
It's always difficult, especially the U.S. Open, the last of the Grand Slams. It's always tough because you know, the season is very long. I really played a lot this year. Sometimes it's really hard to stay focused all the time because you're really tired after the whole season.
When you're trying to look pretty, it's a lot easier to compare you to other people. I always felt intimidated in pilot season trying to audition for 'the girlfriend.' Whereas when it's like, 'you're auditioning for the part of this meth addict, trailer park whatever,' it's like, 'Great!'
The first season of a show is kind of like an extended pilot. You're only really on the map if it goes a second season.
There was one female role, which was Emily. When I did the audition, I flubbed up. It was my first audition back from Christmas break, and I flubbed up and was devastated. In the audition room, they were like, "Oh, you did great!," but you never really know. So, I left the audition in tears.
I got some pilot scripts and auditioned for a couple other ones, too. It was just a standard audition, where I kept going in to read and went up the ladder, in terms of people who you're performing for during those auditions. Each step of the way, I was happy with that level of audition.
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