A Quote by Janine di Giovanni

I often think I am a better person because I lived for many years of my life with a flashlight. I have developed skills I did not think were possible - bathing with a cup of water by candlelight, for instance, and writing a story with a headlamp on.
Sometimes I think that if it were possible to tell a story often enough to make the hurt ease up, to make the words slide down my arms and away from me like water, I would tell that story a thousand times.
I think I've lived a pretty hard life. What I mean by hard is that... I've been kind of reckless with things. I'm a passionate person. I'm a super passionate person. I think there's definitely been sorrow in my life, good and bad. I think it comes through. I hope it comes through in my writing because to me that's what artistry is.
I got involved in cultural studies because I didn't think life was purely economically determined. I took all this up as an argument with economic determinism. I lived my life as an argument with Marxism, and with neoliberalism. Their point is that, in the last instance, economy will determine it. But when is the last instance?
Even though over the last years I've had more and more success and I've been getting better on the tour, I think I've lived this kind of life as an athlete for many years already.
I think that too many people think too much about my lyrics. I am more a person who works with the sound of a word than with its meaning. Often I just choose the words because of the rhythm not because of the meaning.
I think the last couple of years of life for many, many people are the same as they were 50, 60, 70 years ago. They could be really tough because of infirmity.
He's only 4 years old, so I don't think he realized, you know, that I played so many years. Of course, we watch tapes here from the Stanley Cup years, but I don't think he realized how many years I played.
Do you think I am a fool, Masha? All this time, and you speak to me as though I were a flighty pinprick of a girl. I am a magician! Did you never think, even once, that I loved lipstick and rouge for more than their color alone? I am a student of their lore, and it is arcane and hermetic beyond the dreams of alchemists. Did you never wonder why I gave you so many pots, so many creams, so much perfume?
Growing up, all I did was work and vacation, but I loved it, no one pushed me into anything. The thing was I developed no special skills. I don't have any resentment because I am a performer and I've always felt that, but it did take its toll socially.
For many years, I did my best to report on the issues of the day in as objective a manner as possible. When I had my own strong opinions, as I often did, I tried not to communicate them to my audience. Now, however, my circumstances are different. I am in a position to speak my mind. And that is what I propose to do.
Many Chinese criticize me not only on Baidu but on Facebook. Some say, do you think Chinese authorities were stupid enough not to realize you were a North Korean defector? If they read my book, they'd understand. I did my best to escape. I think it's all a miracle. It's not because Chinese policemen were stupid enough to believe my fake story.
I think because I am as earnest as I am, people were accepting of my evolving into a certified, legitimate, and grown up and I did take three years off.
I always did drawings. Then, few years ago, I started working with large-scale paper. It's an extension of performance, because the pieces are the size of my full body. I use pencils, acrylic, watercolors, and I also incorporate textual messages. I did most of them in a monastery in Spain at the top of a mountain. I lived there a bit like a monk. I meditate quite often. At night, which is when I like to work, I like to think I have conversations with Francisco Goya. He died so many years ago, of course, but somehow, his ghost is always with me.
Three in the morning. Making yourself a cup of coffee in the dark, using a flashlight when you pour the boiling water.
One posthumous measure of a person's life is how often you imagine his impossible return to deal with some event he never lived to encounter. You picture his reactions, his advice, his sage commentary and humorous asides. For instance, I think about Mark Twain's hypothetical take on current events several times a week.
I am very thankful that I have lived the life I have lived. I am thankful for my Graves' disease, and I tell people, if I had my whole life to live over, I would have it, because it has really made me into the person that I am.
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