A Quote by Janine di Giovanni

When you write non-fiction, you sit down at your desk with a pile of notebooks, newspaper clippings, and books and you research and put a book together the way you would a jigsaw puzzle.
'Saw' is like a big jigsaw puzzle. When you put a jigsaw puzzle together, you put the bottom left corner together first, and then you find yourself working on the upper right corner... That's the way 'Saw' plays out.
Saw is like a big jigsaw puzzle. When you put a jigsaw puzzle together, you put the bottom left corner together first, and then you find yourself working on the upper right corner... Thats the way Saw plays out.
To me acting is like a jigsaw puzzle. The jigsaw puzzle is of the sky and all the pieces are blue. Out of this you have to create a human being and put it together.
Writing a mystery is like drawing a picture and then cutting it into little pieces that you offer to your readers one piece at a time, thus allowing them the chance to put the jigsaw puzzle together by the end of the book.
The idea of using actual clippings came about as a way of characterizing Gold. Gold uses clippings because he hates doing research and is not even really interested in the books and articles he writes.
It starts with this: put your desk in the corner, and every time you sit down there to write, remind yourself why it isn't in the middle of the room. Life isn't a support system for art. It's the other way around.
It's like a jigsaw, there's a piece of the puzzle at the beginning and it's the only one and of course it had a lot to do with the way you look. And then you have to have the time to add pieces of the jigsaw.
We put our music together, piece by piece, like a jigsaw puzzle.
life is like a jigsaw puzzle, you have to see the whole picture, then put it together piece by piece!
Writing helped to have jobs that involved running around, pushing things like dish carts and wheelbarrows. It would be hard to sit at a desk all day, and then come to sit at another desk. Also, it helps to abandon hope. If I sit at my computer, determined to write a New Yorker story I won't get beyond the first sentence. It's better to put no pressure on it. What would happen if I followed the previous sentence with this one, I'll think. If the eighth draft is torture, the first should be fun. At least if you're writing humor.
But what struck me was the book-madness of the place--books lay scattered across the unmade bed and the top of a battered-looking desk, books stood in knee-high piles on the floor, books were crammed sideways and right side up in a narrow bookcase that rose higher than my head and leaned dangerously from the wall, books sat in stacks on top of a dingy dresser. The closet door was propped open by a pile of books, and from beneath the bed a book stuck out beside the toe of a maroon slipper.
I always have Moleskine notebooks on my desk. I am a big journaler. Every day I write down where I went, who I spoke to and what it was all about. Richard Branson told me to do that.
First, I do not sit down at my desk to put into verse something that is already clear in my mind. If it were clear in my mind, I should have no incentive or need to write about it. We do not write in order to be understood; we write in order to understand.
Whenever you start working on something, you have to go about it with the underlying assumption that this puzzle has a solution, right? If you started a jigsaw puzzle not knowing whether all the pieces were in the box, it would not be a fun exercise.
Years and years ago, I said I did not want to write academic books. I want to write books that are in the language of the common person so that Joe, who didn't even go to college, can sit down and read my book and get it and apply it to his life.
Being a playwright is like the equivalent of doing a jigsaw puzzle that has 1,500 pieces, and it's a jigsaw of a blue sky. Not a cloud in sight.
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