A Quote by Janine Turner

Thus, during the winter of 2003 I ventured into a new arena as a professional photographer. — © Janine Turner
Thus, during the winter of 2003 I ventured into a new arena as a professional photographer.
I am a professional photographer by trade and an amateur photographer by vocation.
I used to live in a hostel with Bihari roommates. They used to be very excited about getting their pictures clicked, and since there weren't any mobile phones back then, they used to have a photographer accompany them everywhere. Thus, my character's personality and the photographer were incorporated into 'Dabangg.'
What some highbrows call rapport is nothing more than a mild flirtation between photographer and the girl on the other side of the camera. Some models get so professional they can send hours flirting with the camera itself while the poor photographer is reduced to the role of spectator.
When I got into the NBA, the thing of it was, if you won, you got a new arena. But if you lost, you had to work to get the arena.
I've never not been sure that I was a photographer any more than you would not be sure you were yourself. I was a photographer, or wanting to be a photographer, or beginning - but some phase of photographer I've always been.
When death comes, it's just like winter. We don't say, "There ought not to be winter." That the winter season, when the leaves fall and the snow comes, is some kind of defeat, something which we should hold out against. No. Winter is part of the natural course of events. No winter, no summer. No cold, no heat.
It is not the high summer alone that is God's. The winter also is His. And into His winter He came to visit us. And all man's winters are His - the winter of our poverty, the winter of our sorrow, the winter of our unhappiness - even 'the winter of our discontent.
I became a photographer in order to be a war photographer, and a photographer involved in what I thought were critical social issues. From the very beginning this was my goal.
Well, I'm not going to get into that. I think that those kind of distinctions and lists of titles like "street photographer" are so stupid. I'm a photographer, a still photographer. That's it.
California has been very good to me in terms of the professional arena.
Time seems to slow down after the winter holiday. New York loses all of its winter romance and is just cold.
I can't be paralyzed anymore by the critics. My new mantra is, if you're not in the arena getting your ass kicked on occasion, then I'm not interested in your feedback. You don't get to sit in the cheat seat and criticize my appearance or my work with mean-spiritedness if you're also not in the arena.
I think not being a professional photographer was actually a blessing, because it allowed me to shoot things professional photographers wouldn't shoot, or wouldn't try or attempt to shoot without lights. So I did all my stuff natural and without lights.
The Honda Center is a wonderful arena. And it's a great arena, not only for the NHL, but it would be a great arena for an NBA team.
The difference between an amateur and a professional photographer is that the amateur thinks the camera does the work. And they treat the camera with a certain amount of reverence. It is all about the kind of lens you choose, the kind of film stock you use… exactly the sort of perfection of the camera. Whereas, the professional the real professional – treats the camera with unutterable disdain. They pick up the camera and sling it aside. Because they know it’s the eye and the brain that count, not the mechanism that gets between them and the subject that counts.
I was a professional baseball player from the time I was drafted out of high school in 1981 until the time I retired in 2003.
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