A Quote by Janis Ian

I started 'Society's Child' on a bus in East Orange as I was going home from school. I saw a black and white couple sitting there and started thinking about it. — © Janis Ian
I started 'Society's Child' on a bus in East Orange as I was going home from school. I saw a black and white couple sitting there and started thinking about it.
I started as a black-and-white teenage photographer, and I'm still there decades after. In some ways, the genre is almost gone. I am thinking of true, stubborn, lifetime black-and-white photographers, as opposed to black-and-white as a photographic commodity.
All my playmates on the farm were black, and later, when I started school in Plains, it was all white. But I was always eager to get back home to my friends in Archery.
When I think back, I felt like I had the life that a lot of white American kids grew up with in the suburbs in the States. I started noticing, as Apartheid's grip weakened, that we had more and more black kids at school; I had more and more black friends. But I never really saw a separation between myself and the black kids at school.
As a child I played cricket as a hobby. Once you started playing for your school, you became more ambitious. You reckoned you could play for the state. Then you started to think about the country. But it happened so quickly for me, I started playing for the school at 13, for Bombay at 17, and at 18 I was in the Indian side.
I started home-schooling when I was in elementary school because my parents were really busy back then. They didn't have time to drive me there, and we didn't have a school bus or whatever.
When I started going to school, I started getting used to things, like the language. After that, I started adapting to school, friends, and everything. It was really difficult, to start with, but I survived.
When I first started dating my husband, I had this weird fascination with the circus and clowns and old carnival things and sideshow freaks and all that. About a month after we started dating, he bought me this amazing black-and-white photo book on the circus in the 1930s, and I started sobbing.
We didn't have a backyard, so as I child, I would turn the coffee table into a stage and put on shows. But it was just a fun thing to do; I never thought about it as a profession. That started as a fluke; my mother had a friend who was an artist with a theater company, and I started going there after school because my mom knew I'd be safe.
When it comes to racial issues, I'm very passionate about young girls just loving who they are in their own skin. Because I remember going to an all-white school and being the only black girl in an all-white school, think - looking around me, thinking there's no one else here that looks like me.
When I started singing, I was going to school. I remember some of the people in school singing, and they had a choir. I would just watch and listen. Finally I started at least attempting to try to do what they was doing. When I was younger, we started going to church. I can't say that we were always, you know, the most church-going people.
This whole 'Mondo' thing started when I saw Jack White perform at Coachella a couple of years ago. It was like a religious set, man.
Although I started off as a child artist, I left acting in between, as I felt that I was missing the fun of school days. But a little later, I became keen on acting again and started going for auditions.
I related to his disillusionment. Thinking that he was going for this big dream. Then he kind of saw through it all at one point and went back home. Then he started a bender, which I can relate to of course.
I started thinking about the endless bullshit about quotas, and how certain types of character are fine "as long as it's important to the story," and so on, started thinking about the absence of the abject.
I was pretty young when I decided I wanted to, well, more so be a singer. I started singing in church in my hometown, East Orange, New Jersey. I knew when I was about five or six that I wanted to be a performer.
Me and my friends in high school were the only girls who went to hardcore shows. It was three of us, and the rest of the audience was male. We didn't really think about it. We weren't thinking we were alienated or whatever, but eventually, as there started to be violence in the scene we were in during high school, we started to be turned off by the violence.
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