A Quote by Janis Joplin
What we've had to do is learn to control success, put it in perspective, and not lose the essence of what we're doing - the music.
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I think Britain can be one of the great success stories of the 21st century - we've got the talent, the drive, the connections around the world. But if we vote to Leave, then we lose control. We lose control of our economy, and if you lose control of your economy you lose control of everything. That's not a price worth paying.
You can be surrounded by people all the time, but you feel so alone. I think that's when you can lose perspective and lose control of what you're doing. It's almost as if you have no fear and you don't really care about what happens to yourself.
All my life, I had loved music and been in choir, and I have a degree in music, but I never planned on doing it as a job. I had a realistic perspective on that. I thought maybe work at a church or be a teacher if you wanted to work in music.
Real love is always chaotic. You lose control; you lose perspective. You lose the ability to protect yourself. The greater the love, the greater the chaos. It’s a given and that’s the secret.
With any level of success you get some non-musical things that come along - money, ego - and it's easy to lose your perspective and get off doing what you did to get there.
I don't really look at the charts at all. If anything, I try to out-do what I've done before. I try to make music that I like and I trust my own judgement with what will work with a wider audience. If you compare yourself to the charts, you lose perspective on what you're doing and why you're doing it.
What is missing in a lot of urban music is perspective. You hear a lot of regurgitated perspective. It's a lot of: out at the club. Had drinks. Patrón. Big booties. It's this regurgitated idea of living in this, I don't know, one-night-stand moment that always starts at the club and Patrón. And so perspective, perspective, perspective is what I'm an advocate of.
I have long had a tendency to tie marksmanship to morality. The essence of good marksmanship is self-control, and self-control is the essence of good citizenship. It is too easy to say that a good shot is automatically a good man, but it would be equally incorrect to ignore the connection.
The lesson is, because there will be many lemons in life, to learn to make the proverbial lemonade - and be open and honest. That's the best way of doing damage control and positioning yourself for success.
Whenever I've had success, I never learn from it. Success usually breeds a degree of hubris. When you fail, that's when you learn.
I do believe that my whole success goes back to that time I was arrested as a wayward boy at the age of thirteen. Because then I had to quit running around and began to learn something. Most of all, I began to learn music.
In my relationship with a young guy I was going with in a band - his name was Sylvester, and I think he had another little girl on the side - I told him, 'If you lose me, you're going to lose a good thing.' And I went home and put that poem to music.
At its essence, 'Groundhog Day' is an existential journey of an unhappy, judgmental, slightly narcissistic, misogynistic, dissatisfied, aspirational, entitled, privileged male who has to learn to be the opposite of all those things to find happiness - to learn that learning is important and that you don't get to control everything.
Holding onto and manipulating physical objects is one of the things we learn earliest and do the most. It should not be surprising that object control is the basis of one of the five most fundamental metaphors for our inner life. To control objects, we must learn to control our bodies. We learn both forms of control together. Self-control and object control are inseparable experiences from earliest childhood. It is no surprise that we should have as a metaphor-a primary metaphor-Self Control is Object Control.
I had to learn compassion. Had to learn what it felt like to hate, and to forgive and to love and be loved. And to lose people close to me. Had to feel deep loneliness and sorrow. And then I could write.
I'd really started hating music. I'd started hating all the songs, hating being in the industry, hating doing the shows. So I had to learn to love music again if I wanted to continue doing this.
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