A Quote by Janis Joplin

People, whether they know it or not, like their blues singers miserable. They like their blues singers to die afterwards. — © Janis Joplin
People, whether they know it or not, like their blues singers miserable. They like their blues singers to die afterwards.
Audiences like their blues singers to be miserable.
People like Clyde McPhatter who came out of the black churches - like Sam Cooke and Aretha Franklin - were all church singers who became great pop singers because gospel singing is very close to the blues.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
Well first of all, I'm a singer. I sing since I talk. So the great ballad singers, the people that sang with so much feeling, jazz, blues, all those singers, they were songs that I listened to, records that my mom played for me, and then later I bought.
Society certainly encourages women to be victims in every way. I mean if we want approval, we have to sing the blues, even as singers we sing the blues.
I have heartaches, I have blues. No matter what you got, the blues is there. 'Cause that's all I know - the blues. And I can sing the blues so deep until you can have this room full of money and I can give you the blues.
I've always said that Adele has turned so many people on to British singers - whether female singers or just like music from this country in general.
With my previous record deal, it'd be like, 'OK, so I have this track then, EMI - do you know any singers, maybe? Do you have any singers on your little label there?' And funnily enough, they didn't. But I prefer finding unknown singers myself anyway.
The old jazz singers or old blues singers, you always just saw them kind of sitting down and singing. They weren't worried as much about their voice sounding perfect. They would make the song kind of fit their voice.
All blues singers are great liars.
A lot of the new people they choose on shows like 'American Idol' and things like that - I don't ever hear lead singers. They always seem to choose to pick people that are great singers, fabulous singers, but they've never got the voice that makes a great lead singer.
Rock & Roll is so great, people should start dying for it. You don't understand. The music gave you back the beat so you could dream. A whole generation running with a Fender bass...The people just have to die for the music. People are dying for everything else, so why not the music? Die for it. Isn't it pretty? Wouldn't you die for something pretty?Perhaps I should die. After all, all the great blues singers did die. But life is getting better now.I don't want to die. Do I? - Lou Reed (1965-1968)
The blues scale was the first thing I learned. It's just a pentatonic scale with a flat seventh and a few notes that sound cool when you bend them. And because people have amalgamated the blues into this rock-blues scale, if you're using it, you better sound like a real authentic blues player.
I like the big bombastic singers, but I'm also very drawn to what I call character singers. They're people who obviously aren't very huge singers, but they've got this ability to tell a story and touch you emotionally without really using any kind of histrionics or special effects.
I never wanted to be like other blues singers. I might like hearing them play, but I've never wanted to be anyone other than myself. There are a few people that I've wished I could play like, but when I tried, it didn't work.
I love songs, and I love songwriting, and there's a standard of songwriting within Chicago blues in particular. I don't like the sad blues, necessarily; the Chicago blues is what I like, which is the kind of blues you can dance to.
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