A Quote by January Jones
I feel as though my career really hit its high point when I was cast as a supporting actress in 'American Wedding'. I thought the script had a lot of depth and intelligence, and it really just jumped off the page.
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I feel as though my career really hit its high point when I was cast as a supporting actress in 'American Wedding'. I thought the script had a lot of depth and intelligence, and it really just jumped off the page
["I Don't Feel at Home in This World Anymore" ] really jumped off the page. And there were so many specific notes within the context of the script. Music cues, for instance.
When I was nine or 10, I had jumped off of a bunk bed and shattered and dislocated my shoulder. That was on the same arm as the cast was on, which I didn't really put together until I was really starting to feel a little uncomfortable in my shoulder area, and then I was like, "Oh, this cast is on that arm. That's what that is about."
I really thought when I was pregnant with my first that it wouldn't affect my work at all; it would just be a baby that grows up on set. And I was absolutely wrong. For women, the high point of their career and needing to have babies just don't really go together.
The point is some people think they have a leading role when, really, they're just supporting cast.
When I started on the 'Burnett' show, I was just out of high school, and when we went off the air, I was 28 years old, married with two kids. At that point I felt I really wanted to be mommy to my children. But I found that after a year and a half, I really missed the part of myself that was an actress.
I've just been fortunate to havehad a lot of hit records, though Human Wheels doesn't qualify as a hit record-but it's really the best single I've ever had.
I don't really identify with America, I don't really feel like an American or part of the American experience, and I don't really feel like a member of the human race, to tell you the truth. I know I am, but I really don't. All the definitions are there, but I don't really feel a part of it. I think I have found a detached point of view, an ideal emotional detachment from the American experience and culture and the human experience and culture and human choices.
I just couldn't believe that it [Into the Forest script] had fallen into my lap, because I felt so incredibly connected to my character, and I understood her, and I really...I haven't had that feeling about a script since I had read Thirteen or The Wrestler when I was just like, "No one else can do this." I just feel so passionate about it.
I was a very introverted individual and this became an important outlet for me to express myself, to communicate, to take positions, make statements, take a stand and so forth. But I never really thought I had much a future at all So the thing that I had to do was to really go inward and really work super hard in the hope that someday it would pay off. And in using that term I don't mean necessarily money, but just the fact that I would have more depth and dimension both as a human being and as an artist.
If you cast really funny, talented people and let them do what they need to do, they're going to hit a home run for you without a script.
The leg drop was a move that nobody really used, and nobody ever hit the ropes and jumped up really high, so I tried it out in Japan and the people loved it. That's how I came up with it.
When I was doing Shakespeare and I had spent a lot of time and effort in trying to become a great Shakespearean actress. That was how I started my career, was in the theater doing Shakespeare. And my ambition was to be a great classical actress. That was what I wanted more than anything. So, I really pursued that in the first four years of my career. And it was an uphill struggle. It really was. Shakespeare's difficult and Shakespeare in a big theater is even more difficult. So, anyway, it was a struggle for me.
I was really proud to be in that show. I will never forget. I got the script to 'Millie,' and I'm flipping through the script and saying, 'Boy, I have some lines... I have a big song.' I was 25 years old and had never been on Broadway before. I got to the end of the script, and I was really nervous and excited. I realized I had a lot to do.
A lot of it was really, really fun, but at some point, things started getting weird. We didn't allow each other to breathe. We didn't really have a sense of ourselves individually. We were very insecure... We were really threatened by the thought of 'Oh my God, what if someone goes off and does something outside the band?'
I never pictured myself in California. I just thought I would be a character actress in New York on the stage. I never really had that stardom goal; I just wanted to be able to work as an actress and not as a waitress.
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