A Quote by Jaquelin T. Robertson
Good buildings make and are made by their settings, and they are appropriately different in different locations. Climate, culture, topography and materials have helped create regional architectural languages that seem curiously right for their locations and for all times.
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I think it's good to have different locations for different modes you want to be in throughout the day, and to keep them separate.
I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.
I always felt that we don't have dearth of beautiful locations in our country, but we still don't have proper infrastructure. Because of that, most of the times, we are not able to reach those locations.
I'm about as monolingual as you come, but nevertheless, I have a variety of different languages at my command, different styles, different ways of talking, which do involve different parameter settings.
There are so many beautiful locations in Rajasthan, so many beautiful locations in our India that have not been explored. Foreigners come and explore such places, but we fail to see those locations with that perspective.
I definitely enjoy working within different contexts, with different collaborators, and in different locations. I need to keep feeding myself as an artist by working with different people. I see continuing with that. I've also enjoyed getting to explore different kinds of music and instruments in the last couple of years.
All these directors who do different locations forget that one room can be shot from a million different angles and a million different ways. When I direct a movie, I'm going to use that.
Every time you play a different role with different actors in different locations, you're developing a greater level of comfort in the act of doing this, which is why you're getting better all the time.
It was like two different photographers, and shot in three different locations and it was really fun to do. There were 12 beautiful girls in it. It was great.
My influences are all over the place. Different films have spoken to me at different times in my life, and they've helped create my idea of the kind of films I want to make.
As the director, it's just a constant stream of meetings where you meet with all of the creatives who make all of the decisions for every part of the episodes. You're also scouting for locations, deciding on the locations, meeting with your first associate director; mine was Jennifer Truelove. She's one of my favorite people on the planet.
The essential discovery of maturity has little if anything to do with information about the names, the locations, and the sequence of facts; it is the acquiring of a different sense of life, a different kind of intuition about the nature of things.
I have been to the South several times. The picturesque locations were a real treat for the eyes and I also love the culture.
The construction of 'Sekiro''s world is based on that of traditional Sengoku, or medieval Japan. To that end, we made sure to reference a lot of written materials on that period as well as actually visit several locations.
Identity is made up of lots of different things now. Different colors and patterns stand out at different times. Different instruments in the symphony of being are more distinct than others at different times.
I think the ambiguity of similarity and difference is very powerful. It's the same scene in different times of year read across the grid, and, of course, different locations reading vertically. But you can get confused and lost in the series. You force the mind, which is always comparing and contrasting, to stumble ... That ambiguity is very powerful. One is getting lost and refinding oneself.
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