A Quote by Jared Dudley
I'm a big movie guy.
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Most of the time when you see a movie, the best character in the movie is not "the guy," it's the guy next to the guy.
The thing about 'Bigfoot,' he's a big guy and he's agile for a big guy, but he's not that agile and he's not that athletic. In fact, being a big guy is probably his greatest asset.
I listen to a little bit of hip-hop, but I mainly go back to what was big when I was at the University of Georgia in the '70s. I'm a big Emerson, Lake & Palmer guy, a big Jackson Browne guy, the soundtrack of college.
Directing is a big responsibility to take on. I think I'm only good at doing things I know very well. I don't direct movies because I get offered the new vampire movie or science fiction movie. I don't get offered those, anyway, but if I did, I would just tell 'em, "Look, I'm the wrong guy." I only do things about people and situations, and I do the ones that I think I'm the best guy for the job on, which is usually something I generate myself.
A movie is a movie is a movie. But it has to have an adjective in front of it if it's not a white guy's movie.
'Shall We Dance?' takes a small, exquisite Japanese movie and turns it into a big, stupid American movie. Still, it must be said that as glossy and overproduced as the thing is, it's a good big, stupid American movie.
I had a caricature view of the guy in the beret with the big megaphone, but a movie director and writer was beyond my role of understanding.
The Shawshank Redemption' isn't a movie about a black guy and a white guy who become friends - it's a movie about freedom. At the end, the cathartic experience of seeing our own emotions reflected back to us, that's the purpose of storytelling.
Ive never really been a big sci-fi guy or a big comic book guy.
I'm a big guy, right? But I began to realize that by actually using my body like a big guy, I couldn't control my pitches the way I wanted to.
I've never really been a big sci-fi guy or a big comic book guy.
If you watched a movie about a guy who wanted a Volvo and worked for years to get it, you wouldn’t cry at the end when he drove off the lot, testing the windshield wipers. You wouldn’t tell your friends you saw a beautiful movie or go home and put a record on to think about the story you’d seen. The truth is, you wouldn’t remember that movie a week later, except you’d feel robbed and want your money back. Nobody cries at the end of a movie about a guy who wants a Volvo.
When I was growing up, my favorite movie was 'Somewhere in Time' with Christopher Reeve, which is a hugely romantic, sappy movie. I couldn't understand it when the guy didn't get the girl or the girl didn't get the guy in love stories. I was definitely a sap.
I am kind of a lifelong lose weight, gain weight kind of guy. I'm a big guy; I've always been a big guy.
When you're on a lower-budget film, with one guy who maybe has a camera strapped to him, you're a much bigger part of that pie. You can be a sliver in a big Hollywood movie, but you can be a quarter of that indie movie pie. And I feel like, first of all, there is a real freedom that you feel from that, because it's like, you know what, if this is terrible, nobody's gonna ever see it, so I can be more brave.
I'm going to continue doing what I want to do. And if it means I want to go and make a big movie, if it has something to say, I will want to make it. I don't want to spend my life wasting my time. If it's a big movie, I want to do it. If it's a small movie, I want to do it.
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