A Quote by Jared Goff
I'm just worried about what I'm doing. Case has played well, and Case is doing a great job. But at the same time, I'm not going to concern myself with him.
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I think it's great in any job to be doing well and doing it the best that you can, so that's pretty great. But I wouldn't call myself a celebrity in any way. I'm just doing my job.
That's just a stressful way to live - saying, 'OK who's doing great, who's doing better than me?' ... Let me just worry about me. I'm not worried about anyone else. If you're doing fine, great; if you're struggling, I hope things get better for you. But I've got to be worried about my career.
You have to know what you're doing and where you're going. For some guys, the answer is just keep doing what you're doing. For other guys, that might not be the case. It just depends on what kind you are.
I would much rather have somebody say, "You know what? I just didn't like what you were doing," then say, "They didn't know what they were doing." I know what I'm doing. If it's going to be bad, or if it's great, it's me, in either case.
All I worried about was what Owings was doing to me, instead of what I was doing to him. When you start worrying about that stuff, you're going down the wrong path.
Like anyone, I stress and get hard on myself from time to time, but it's minute compared to the pressure I used to put on myself to perform and succeed. To my kids' credit, they've probably helped me the most here: I'm more worried about what they're doing than what I'm doing!
I'm just as guilty for not doing anything as I am for doing things. Not with case (the 1994 sexual abuse conviction), but just my life. I was so scared of this responsibility that I was running away from it. But I see now that whether I show up for work or not, the evil forces are going to be at me. They're going to come 100 percent.
I think we're really - we're doing a really great job doing our show, and other shows are doing a great job doing theirs, and we'll just see what people have to say.
Well, I - all cases to me have interest. Every case is important to somebody, the people litigating that case. But the most difficult case for me is the case where one person says a, the other person says b, and you just don't know for certain who is not telling you the truth.
In any case, open-seat presidential elections like 2008 just are different in character from incumbent reelects, and I think that's the most important thing about this election - is that once there's an incumbent running for reelection, most of the debate is about, "Has he [Barack Obama] done a good job?" Most of the judgment is, "Do you want to keep him or do you want to replace him?" Now, the opponent has to also be acceptable and has to make his own case.
A rather ugly thing starts happening: the playwright finds himself knocked down for works that quite often are just as good or better than the works he's been praised for previously. And a lot of playwrights become confused by this and they start doing imitations of what they've done before, or they try to do something entirely different, in which case they get accused by the same critics of not doing what they used to do so well.
The [George W.] Bush administration would go into court on any kind of a case that they thought might embarrass them and would argue that it was a state secret and the case should not be continued.[Barack] Obama is doing the same thing, even though he promised not to.
Honestly, you got to take care of the people that take care of you. I know that sounds like cliche, or borderline phony, but that's the case. The reason I've had the fans that I have is because I've been consistent over the years and kept coming back and doing the same runs. I'm never going to stop doing the cities I've gone through. I'm only going to add.
It doesn't matter if you're doing a studio movie or you're doing an independent movie. When you get to set and you're doing a scene, it's always going to be the same job. I really don't think about my career, in terms of planning it out and what this does for me.
The English are worried about the Euro being brought in because of loss of national identity and rising prices. In Scotland, people are just worried in case they have to close Poundstretcher.
My agent in London told me, after Never Let Me Go, because I loved doing that so much, "If you're on a lucky streak and you're doing well, you should only take a part, if you can't bear the idea of anyone else doing it." That's been the case since then, with Drive and Shame and the play (The Seagull), and the stuff that's going on, like Gatsby. I would have been devastated, if I hadn't gotten those jobs.
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