A Quote by Jared Isaacman

I truly want us to live in a world 50 or 100 years from now where people are jumping in their rockets like the Jetsons and there are families bouncing around on the moon with their kid in a spacesuit.
I want to make rockets 100 times, if not 1,000 times better. The ultimate objective is to make humanity a multiplanet species. Thirty years from now, there'll be a base on the moon and on Mars, and people will be going back and forth on SpaceX rockets.
Some say that now that 50 years have passed, we would like another 50 more years to celebrate once again; that means it will be 100 years. After one hundred years, I will be 118 years old.
A rise of 5C would be a temperature the world has not seen for 30 to 50 million years. We've been around only 100,000 years as human beings. We don't know what that's like.
We have to have a vision of the world we want to make in 100 years. And maybe when we have that vision, when we convince enough people that that is a realistic vision, and that the opposite vision is basically that if we don't do something in this 100 years, a hundred years from now this world is gonna be so destroyed, so raped and ravished that we won't HAVE much of a world to save.
I've been thinking about 'The Jetsons' since I was a kid. But occasionally, you want 'The Jetsons' to come to reality. That's what Apple is so great at: Productizing things and bringing them to you so you can be a part of it.
A lot of people, I think, would love to see the earth from above, wear a spacesuit. Certainly, when I was a kid, I wanted to wear a spacesuit.
Just give us 50 years where we're the only ones who are allowed to profit from art, and then you can do whoever you want. In fact, I'll buy you the paint. Whatever you want. Just give us 50 years. 50 years. That's it.
It is beter to live 50 years as a tiger rather than live 100 years as a chicken
Seasonal flu is now a pandemic that lasts for years and years because you've got so many people that it's jumping back between northern and southern hemispheres and moving itself around the world. By the time it gets back to where it started, it's changed sufficiently so that people are no longer immune.
If you remember back to some of the television we saw, Buzz and Neil on the Moon with Apollo 11. Black and white. They were bouncing around a lot. They were really bouncing on their tip toes. Quite fun to do.
You want 100% and 100% to make 200, instead of 50 and 50 making 100.
A lot of people tell me that on screen you're jumping and bouncing around with joy, but I take too much time to open up in newer surroundings.
My whole thing is I want to affect history in a positive way. I want the timeline to be, 100 years from now, when we look back, it's going to be like, the world was like this, and then Shameik Moore hit the world, and everything changed for the better. It was a new light. Something special.
I was an eight-year-old kid when I watched the first Apollo Moon Landing way back in 1969 and there was something about that moment that really stuck in my head. I'd always been interested in space and flying and I was building model rockets and model airplanes, but something about that moment, I can remember like it was yesterday watching the Apollo Lunar Lander approach the surface of the Moon and then later watching Neil Armstrong and Buzz Aldrin take the first steps on the Moon, and something that day started the dream for me that, hey, I want to be like those guys.
Whether a studio partner is 50/50 with us, or we do 100%, or we do 75% or 90% and for the most part they just distribute, whether that's Warner Brothers or now Universal, it's always a unique situation. Every movie is almost like a start up company.
The children are watching us, and they're jumping and singing and bouncing, and essentially wiggling around. Some of the parents do watch us, but most of the parents literally just watch their children for the entire show because they're so excited that they're enjoying themselves.
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