A Quote by Jared Isaacman

At stage separation, before the second motor ignites, to me it was a huge unload. You're practically at a zero-G event at that moment. It's the same thing when you get on orbit, except that it never starts up again. It's continuous. And the best way to describe that would be hanging upside down from your bed, like your head fills with blood.
I'm not one of those people who sits at dinner on their iPhone all night. I'm either working or I'm not. I've gone down that path where you sleep with your phone beside the bed and send an email just before you put your head down and check everything again when you wake up, and I don't like it.
Weightlessness was unbelievable. It's physical euphoria: Nothing about you has any weight. You don't realize that you are weighed down all the time by yourself, and your organs, and your head. Your arms weigh down your shoulders. In space simulation, you get to fly like Superman! You're hanging in the air! It's the coolest thing.
It was practically with people with strings. There was no CG involved, it was just painfully taking Collin [Farrell] and Jessica Biel and putting them upside-down, we built the set upside-down and just try to twist perspective to make it all seem like zero gravity. And it was one of the most difficult things I've ever shot.
I used to take 40 minutes to warm up before going on stage. If you want to spend time with your child as well as having a career, you have to get up there even if your head's a mess. It's made me more relaxed, and I'm having some of my best shows.
Your emotional capacity is an empty motor, and your values are the fuel with which your mind fills it. If you choose a mix of contradictions, it will clog your motor, corrode your transmission and wreck you on your first attempt to move with a machine which you, the driver, have corrupted.
The best way to achieve a great style without a blow-dryer is, after washing your hair, take a towel and flip your head upside down, wrapping it up in a twisted towel for 15 minutes. Once you take it down, a lot of the excess water will have been absorbed by the towel.
I never stopped believing in us and I never felt like I was wanting for anything, except for my father, and that was not going to be. I describe in the book [that] I don't think I ever felt young again in that way. I never felt I had my 15, 16, 17 kind of years the way I maybe should have. It's a huge dent in you that it's hard to knock out and make it all smooth again.
Confidence. That's huge as an actor. Confidence can get you a long way. Maybe it's a cultural thing, being Korean, but my first reflex has always been to exude humility - but it doesn't help you in acting. For acting, humility isn't the best thing. It'll weaken your work. So it's a head game for me. "Can I really be confident in knowing my skill set is down? Can I perform like I own this role?"
With me being in so many pain from when you have a betrayal from your best friend - who was my husband - and the girl got pregnant, I couldn't even get out of bed. The only thing that saved me was my stand-up. I would get on stage and just talk about stuff, and I made people laugh. A lot of women e-mail me and say, 'How do you smile? How do you laugh at something like this?' That's how I do it. I laugh because that's how I get through pain.
You kind of half-prepare a speech in your head, and then you get up there and then you end up saying nothing that was in your head before you went up there. It's a very weird thing. I never do award speeches too well.
When people grow up in atmospheres of violence or atmospheres of poverty, they don't normally use hi-falutin' language to describe those things. They would describe some brutal event the same way we would describe getting a taxi or missing the bus.
For me probably the best moment is before I get started in the morning. I get up and I ride my bike before I come into the studio, so there's a lot of peace and quiet right before the day starts and my assistants get here.
I never wash my hair the night before an event - I call it second day hair, and it holds better. Also, the day before, test run your makeup and watch it every couple of hours (see if your mascara is bleeding, or if your lip gloss runs out really quickly). Oh, and for me, shoe-wise, platforms give me the same height that I need, but they're not as taxing on my feet.
When I get home I'll still have to unload the dishwasher and clean my room. Last night my mom got so fed up of my messy floor in my room she picked it all up off the floor and put it on my bed so I would have to clean it up before I went to bed!
Everybody's playing the game but nobody's rules are the same... Never make a promise or plan. Take a little love where you can... Never stay too long in your bed. Never lose your heart, use your head... Never take a stranger's advice. Never let a friend fool you twice... Never be the first to believe. Never be the last to deceive... Never leave a moment too soon. Never waste a hot afternoon... Never stay a minute too long. Don't forget the best will go wrong... Better learn to go it alone. Recognise you're out on your own. Nobody's on nobody's side.
I wonder why men can get serious at all. They have this delicate long thing hanging outside their bodies, which goes up and down by its own will. First of all, having it outside your body is terribly dangerous. If I were a man I would have a fantastic castration complex to the point that I wouldn't be able to do a thing. Second, the inconsistency of it, like carrying a chance time alarm or something. If I were a man I would always be laughing at myself.
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