A Quote by Jared Leto
Alessandro [Michele] has really done the impossible. He's taken this classic brand [Gucci] and really turned it completely around and taken it in a direction that was so unexpected. [Alessandro and I] met and became friends here in L.A., and then we got to know each other and he asked me to do this. It was really organic and not the way this stuff normally happens.
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I thought it would be a great opportunity to work with someone that I really like and really respect as an artist [like Alessandro Michele].
Oh dear, is that a skunk?" Leonora asked. "No," Alessandro gasped in horror. "No the smelly cat!" "I've told you, Alessandro darling, they aren't cats." "They look like cats. Like the big fluffy cat she's been stepped on and flattened to a big fluffy pancake cat," Alessandro argued.
I think people would be surprised by his [Alessandro Michele] humility.
I think that if you're really going to snog someone and it's going to be a perfect snog, it's got to be between two people that really like each other, rather than someone you think is fit and you snog for the sake of it. That normally turns out not to be a good snog. But if you have two people that really like each other, then fair enough. Really, it's a little mix of kissing, a bit of lips, maybe some biting, and then a bit of tongue and stuff. It depends on what kinky little minx you've gone for on the night.
In terms of CBS, I think that the consistency for them, it feels like they have a really clear sense of who they are and what they want, and they're able to keep delivering very consistently on their brand, which is really terrific, and I think NBC has taken some really smart and interesting routes in the things that they've done.
It's been reinforced to me, and it's a little cliche, but I've learned that you can't make a movie that even works, much less that's good, without really good writing and really good acting. That lesson has led me to not be distracted, so much, by the other stuff going on in filmmaking and to focus on the essence of a story, and the words and the events and the way that those are interpreted by the actors. That philosophy has taken me to a place that I really like.
I'm friends with Dierks Bentley. Aside from that, I don't really know anybody else in the country music field, really. I've met the Lady Antebellum people and I met Marty Stuart briefly once. He's really nice, but I don't know any of them, really.
It's always a problem when you're working with people you don't really know. Most filmmaking is about shaking hands and just starting. You know, these month - or two-month-long endeavors that millions of dollars are based on, and the people doing them don't even know each other, or know each other under pressure, or know each other when things are really... Which filmmaking is completely done under in many circumstances. You're under constant crisis, making a movie.
When I watch the show [Westworld], it leaves me looking at the world around me in a new way. It really stays with you. And it's one of those things that you have to figure out. You're going to get little clues along the way, and every time you think you know what's up, we're going to flip it around. It's going to take you for a really awesome, crazy ride, but it's a really, really revolutionary character for women. There's a lot of really fun stuff to look forward to.
When we were not shooting [The Hangover] we were sleeping, so pretty much every waking moment we spent together. And, you know, Bradley [Cooper], Zach [Galifianakis] and I were acquaintances before the movie started but we became good friends very quickly and spent so much time together that it was just inevitable we were either going to really hate each other or really like each other. Thank god it turned out to be the latter.
I really thought the process and what I'm used to doing on film would be different. I thought that because I wouldn't have the same amount of time, I wouldn't do all of the tracks that I like to do or the lighting that it takes. And then, I got there and realized that I don't know any other way. I just do all that stuff really, really fast and under a lot of stress.
Sometimes I get really shy when people recognize me, but when it was from Arrested, I'd be like, "So what do you like about it? You watch it? Will you try to watch it when it's on, and not just TiVo it? Because if you don't want it to be taken off the air...." It was really sad when it got taken off the air. But it's really cool. It was nice to have a small part in something with a big life.
You know something?" He lifted his head, and when he turned to me, he had this strange look in his eyes. Almost as if he was really seeing me for the first time. "I don't think I ever really lived until this. I've never done anything that mattered before, but now I'm fighting to save my life, and yours. And I know it sounds really cheesy and lame, but I don't think I ever really felt alive. Not until I met you.
[Alessandro Michele] is finally made clothing for men that is as fun to wear as the clothes that women get to wear. That's not often the case. There's a sense of joy and celebration in it.
What was really wonderful about the 'Doubtfire' shoot is that we had this really long rehearsal period in the beginning. That was a great time to get to know each other. We got to know each other and to create the family vibe. So we really didn't have to force it.
Especially today, with the Internet, you have people who have best friends that they never met, with Facebook and Twitter and stuff. If you're really friends, it doesn't matter if I'm on the other side of the world. We'll still be friends and find a way to connect.
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