A Quote by Jared Padalecki
When 'Supernatural' came out, there were a lot of procedurals and you were either a doctor or a cop or lawyer, otherwise the show didn't stay on TV. And then we came around, and I don't want to say we were trailblazers, but we found our niche.
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I came from a traditional immigrant family where education meant there were only a few valid paths: doctor or lawyer - and I didn't want to be either one.
I came from a traditional immigrant family where education meant there were only a few valid paths: doctor or lawyer - and I didnt want to be either one.
A lot of guys that were trailblazers, if we were to go back to the actual time, were just really scared and had no choice, but the water's rushing in, and you either swim or sink.
All Playboy bunnies were constantly reminded that the TV show was Hugh Hefner's show - our contributions were irrelevant. We were the decorative icing, not the cake. According to our boyfriend, he could have splashed any three blondes on-screen and found instant success.
Literally, when the pilot came out for 'Glee,' I think we had a watching party or something. We were all seniors, and everyone all of a sudden in the show choir were so excited. We were like, 'This show is awesome. It's so cool. This is exactly us.'
For our first album, we were our own dressers. We didn't have no stylists. We came up with all of the ideas when it came to dressing. At that time, Cross Colours and Jabos were really popular, so we were able to get stuff from them, but we always added accessories.
We were always just a hardcore band that came out and said what we believed in, but we also talked about the streets and the stuff that we were into and the struggles and everything we were going through. Once people found out we were Christian, it was always, 'Is that Christian music?'
It's not a coincidence that the Bible starts with Genesis. Most people really want to know where we came from and where everything around us came from. I like to strongly push the scientific answer. We have evidence. We no longer have to rely on stories we were told when we were young.
There were not a lot of roles for a black man like myself that were different. Then 'Top Boy' came. I read the script and I loved that the characters were human.
My first ten years in Hollywood were really tough. I'd be coaching friends who came to me for acting advice, and then they'd make it before I did. I'd still be helping them while they were on movie sets and I had four lines on a TV show.
Television and movies were our biggest teachers. When we came to the United States, the Vietnam War was just ratcheting up. And so the Asian faces that I saw on the news, they were the face of the enemy. Asian men, particularly, were either small, ineffective, or they were evil. And those messages were deeply, deeply embedded in me for many years.
When TV came, it was a great medium and then daily soaps came in and ruined the quality of the work we were doing.
The Chicago City News Bureau was a tripwire for all the newspapers in town when I was there, and there were five papers, I think. We were out all the time around the clock and every time we came across a really juicy murder or scandal or whatever, they'd send the big time reporters and photographers, otherwise they'd run our stories. So that's what I was doing, and I was going to university at the same time.
When we were writing the 'Stage' album, we realized we'd never really done proper covers, where we were taking songs and making them our own and kind of playing around with them. I came up with the idea of doing a cover of 'Wish You Were Here,' but we didn't really want it on the record.
Most correspondents came from the former colonial powers - there were British, French, and a lot of Italians, because there were a lot of Italian communities there. And of course there were a lot of Russians.
The strange thing about my life is that I came to America at about the time when racial attitudes were changing. This was a big help to me. Also, the people who were most cruel to me when I first came to America were black Americans. They made absolute fun of the way I talked, the way I dressed. I couldn't dance. The people who were most kind and loving to me were white people. So what can one make of that? Perhaps it was a coincidence that all the people who found me strange were black and all the people who didn't were white.
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