A Quote by Jaron Lanier

I view advertising as being this romanticizing element that helps us appreciate, understand and enjoy how remarkable it is that we've been able to do so much, and learn so much. I view it as really vital, even though sometimes it can be really annoying.
Well, my view before was a Western view, and I certainly understand marriage equality and civil rights, equal rights for all, but having visited developing nations and some of the poorest nations in the world, I realize how deep it goes and how much work really needs to be done to create equality for all.
I think it's my job to like any character I play - to understand and appreciate a character, to look at the world as much as possible from their point of view. I don't look at it just technically: learn the lines, figure out what gestures I want to bring and play, and that's it. I like to learn as much as I can about the person, and see what happens.
What we view in the media - and who presents it to us - does so much to determine how we think, how we feel about ourselves, and how we view the world.
As much as a man would like to believe that he understands women, there is simply that much that he can write from their point of view or really understand them.
Being an actor really, really strengthens me as a director. There's just a certain type of understanding that comes from having been there and knowing how much is really being asked of actors that helps me.
When you're out there and you see how excited the kids get to talk to you and how much they enjoy watching us play, it's really touching and I think we all appreciate what we do so much more when you see the excitement that you bring; especially with the kids.
The view of the moon that we've been having recently is really spectacular. It fills about three-quarters of the hatch window, and of course we can see the entire circumference even though part of it is in complete shadow and part of it is in earthshine. It's a view worth the price of the trip.
Melancholy is a state that I very much enjoy being in, actually. It's not the same as feeling sad. It's a more complex emotion; it derives from a tragic view of the world, a tragic view of art.
How much can we ever know about the love and pain in another's heart? How much can we hope to understand those who have suffered deeper anguish, greater deprivation, and more crushing disappointments than we ourselves have known? Even if the world's rich and powerful were to put themselves in the shoes of the rest, how much would they really understand the wretched millions suffering around them? So it is when Orhan the novelist peers into the dark corners of his poet friend's difficult and painful life: How much can he really see?
Years ago, in order to stay sane, I had to really make an effort not to think about how people view us. There's just so much noise, positive and negative, and not much good comes out of thinking about it.
The more I learn and grow, the more I feel fulfilled, and even if I'm shooting a commercial for a car or a computer, I try to deliver a filmmaker's point of view where I can learn from the experience. Then I really enjoy it.
I've come to view Jesus much the way I view Elvis. I love the guy but the fan clubs really freak me out.
I don't understand my feelings. I really don't. I don't understand how I could hate you so much after so much time. How, no matter how much I'd like to not hate you, I hate you even more. It grows.
Before I would view Rob Reiner as this really annoying pest. Every time he'd come on TV or talking about smoking, I found my blood pressure go up. I just met-really met Rob for the first time last week and told him how much I admire him. He's done more than anyone else in the industry.
Even though it took forever to release a movie, and even though it's a small indie release, the fact that in five years someone will be skipping through Netflix, or Amazon, or whatever and say, "Wow, that was a really cool movie. That was a really great story. Or I was really creeped out, or intrigued by that." You almost kind of forget what it took to get there, or was it in the theaters or not. So that's kind of exciting as a filmmaker. That it doesn't really matter as much the release platform, as much as how can I see it?
What drives me is really just being able to be a blessing to someone, you know. I really enjoy that, and as much as I can do, I will.
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