A Quote by Jaron Lanier
I do real paintings, you know. I'm a little messy in the studio, so I'm a bit of a danger. But I just adore it.
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I guess there was a little bit of a slight rebellion, maybe a little bit of a renegade desire that made me realize at some point in my adolescence that I really liked pictures that told stories of things - genre paintings, historical paintings - the sort of derivatives we get in contemporary society.
It's no secret that my process is a little bit loose and can be a little bit infuriating to a studio if they don't know what they're signing up for.
Compromise means to go just a little bit below what you know is right. It's just a little bit, but it's the little foxes that spoil the vine.
All of my characters are a little bit based on people I know in real life. You know when you do that you have to change the character a little bit in case your friend or your relative reads the book, because you don't want them to know you wrote about them... They might get mad.
Every time I go out to do shows, it just becomes a little bit more real and a little bit more full, so I'm excited just to see it hit its next level.
I would never butt heads with Rob Zombie. I don't know anybody that's in acting that ever butted heads with Rob Zombie. I adore Rob. I adore him. I adore working with him. I adore knowing him. I'm happy to consider myself a friend and someone who he hires. I just think he's great.
I don't know, I'm still a little bit like, when you blend CGI well with real life, it's impressive, but if you remove real life completely, I still get pulled out of the movie a bit.
I don't even know if you're allowed to say this. But just like you can't be a little bit pregnant, you also can't be a little bit spread.
People see so many things in the paintings. Although I never think of them, it charms me a little bit that people actually project actual scenarios on to the paintings. Hopefully that means that they have a little bit of life to them. Figuring out the rhythm, the structural element has been the key thing in this work, more than the color element. It really was the variety of different widths that lead to a certain movement, a rhythm. Otherwise I'd fall into anything that was too stripy or almost like bar codes, and it thwarted the natural flow of the painting.
I was a boy with one dream and one dream only: I wanted - no, strike that, I was desperate for - a room of my own. You see, in those days I shared a room with my little brother, Jesse, and it wasn't pretty. He was the Oscar to my Felix: messy, careless, and just a little bit sticky - exactly the way a kindergartner is supposed to be.
Every film tries to advance the state of the art, at least a little bit. Brand new techniques? A lot of them are just evolutionary: we're just building on something that's like something we've done before and just trying to do it a little bit better or make it a little bit more realistic.
There's something about the Pacific Northwest, the scale of it, and the fact that not so long ago people came here and died getting here, and then died the first winter they were here. There's this breathtaking beauty, just a little bit of moss on the tree, just this little thread of danger, and the sinister. And I really like that.
I know all too well what it takes to have a hit: A little bit of luck, a little bit of work, a little bit of talent.
It's only in acting where I've heard in auditions, 'Can you black it up a little bit? Can you make her a little bit more urban?' And it's just like, 'What?' I don't even know the word for that.
Cigarettes and chocolate milk These are just a couple of my cravings Everything it seems I like's a little bit stronger A little bit thicker A little bit harmful for me.
I like home recordings and studio recordings just as much as each other - I don't think one is better - but for this record I wanted to see what I could do in a real studio with real producers.
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