A Quote by Jaroslav Pelikan
To invoke a Kierkegaardesque figure of speech, the beauty of the language of the Bible can be like a set of dentist's instruments nearly laid out on a table and hanging on a wall, intriguing in their technological complexity and with their stainless steel highly polished--until they set to work on the job for which they were originally designed. Then all of a sudden my reaction changes from "How shiny and beautiful they all are!" to "Get that damned thing out of my mouth!
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I remember having some problems with [the Deus Ex theme] when I first heard it and I was trying to figure out how to tell [Alex Brandon] I wanted changes. But then I noticed that I couldn't get it out of my mind. I was whistling or humming it to myself all the time. So I just kept my mouth shut and let it be. I think it's a highly addictive tune
One set at extreme intensity does the muscle-building job. It must be stressed that the one final, all-out set I do takes me to the very limit of my capabilities. If you feel you can attempt a second set, then you couldn’t have been pulling out all the stops during the first set. It's not pretty, but it works.
Womens, they ain't like men. A woman ain't gone beat you with a stick. Miss Hilly wouldn't pull no pistol on me. Miss Leefolt wouldn't come burn my house down. No, white womens like to keep they hands clean. They got a shiny little set of tools they use, sharp as witches' fingernails, tidy and laid out neat, like the picks on a dentist tray. They gone take they time with em.
I'd always wanted to do a weekly strip, or a strip that was in installments like that. It's been fun trying to figure out how to make that work. Their standards are so prissy that they won't allow me to use all kinds of language. Not only can you not swear, this morning I was informed I couldn't use the word "schmuck." I couldn't use "crap," "schmuck," or "get laid." Those three were beyond the pale. But you get around that, and it comes out better. I can't quite explain why.
I never set out to do this; I never set out to say, 'Can I break this record?' Then all of a sudden, the preparations made for the celebration put pressure on me. I said, 'Okay, I have to get there.' After 2,130, there was sort of a realization it was a foregone conclusion you're going to play tomorrow.
I'm just not a purist. You set goals and you have to work with everyone to figure out how to get what you can.
Some of the stainless steel discs that I play, I cut myself from pieces of stainless steel that I found. I don't make as many as I used to, because you can't get into surplus and scrap yards as easily anymore.
If the idea is you're working at a job solely to pay the bills because you have ambitions to do something else, if you're not actively trying to do that other thing, you've gotta make sure you're doing that. Sometimes you've gotta take away your own safety net. But if you feel miserable in a day job, in any job, get out of that. Look for something else. Stay in that job until you have the other thing set up, and then go to that other thing. But sometimes you've just got to jump out with a parachute and trust that you're going to land someplace safe.
I'm sure you feel differently about writing than you did when you first started. When you get older and your brain changes, you have to figure out how your job fits into your life as it changes, you know what I mean? I guess everybody goes through that stuff, and I'm no exception, always trying to figure out what I'm doing with music.
Sometimes when you get on a new movie you kind of how to figure out the way other people work and it can be like being the new kid in high school where you're just trying to find out where your place is on the movie or on the set.
I remember when I was a kid, if you had your name on a piece of vinyl, man, you were, like, in the halls of Valhalla; all of sudden, you were hanging out with Odin and being at the table of the gods. You were the real deal; you weren't some guy struggling in a garage somewhere.
I set my life since then attempting to figure out how to do that, basically how to have a sort of public discourse in which anything and everything are open to conversation and in which the thought experiment is a means by which to posit all manner of different realities, potential futures.
One of the stories I love is how Gutenberg’s printing press set off this interesting chain reaction, where all of a sudden people across Europe noticed for the first time that they were farsighted, and needed spectacles to read books (which they hadn’t really noticed before books became part of everyday life); which THEN created a market for lens makers, which then created pools of expertise in crafting lenses, which then led people to tinker with those lenses and invent the telescope and microscope, which then revolutionized science in countless ways.
We are going to put out a boxed set thing, but I don't want to do it yet. I want to wait until we're 45 and we're bitter and broke. Then, we'll put out the comprehensive Ween boxed set.
Writing a novel isn't like building a brick wall. You don't figure out how to do it, and then it gets easier each time because you know what you're doing. With writing a novel, you have to figure it out each time. Each time you start over, you just have the language and the idea and the hope.
I used to do most of my composing at a little table in a cafe. Composing for 52 instruments, I had to figure out how to accommodate myself to the small table.
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