A Quote by Jarryd James
I don't like being in big crowds, I don't like being in a room full of people. I get anxious and nervous, but I'm pretty confident about my music. It excites me because I get to sing to all those people.
Related Quotes
If 5000 people bought my record, I would appreciate those 5000 people. I make music for them because music isn't supposed to be so money driven. I didn't get into the music game because I wanted to make money. I sing because that's a God given talent of mine and it's something I love to do. If it's 10,000 or a million people, I'm going to give people the music they like from me. That's what being an artist is. Whoever likes your work, that's who you do it for.
Lots of people think I'm telling porky pies when I say how nervous I get about singing. I was good at working out how music was put together, and I was good at being at the back, but if you asked me to sing up front, then I looked like I was going to pass out.
I'm always just very nervous. I never feel like, 'I've got this'. I'm always very nervous and aware of how quickly people can hate you and that scares me. I never feel like I'm on top of it or I know what I'm doing... so, no. I never get a big head, I just get more and more anxious.
There was a euphoria in the music and the way it was delivered, and, as the crowds started to get bigger, it fed off itself until it became less about the band and more about being with all those people, jumping up and down, drunk to the music.
As a CEO, you get sucked into dealing with all the tasks of being a CEO. There's a big meeting, a big discussion, and you get into all the big issues, which is your job. But what CEOs often lose sight of is that it's all about the people who work for you. For every 1,000 decisions, 999 were being made when I was not in the room.
If I'm confident in my ability to do something, I never get nervous about it. If I was to get up and try to sing in front of 50,000 people, I'd fall to pieces. But boxing, I find it really comfortable.
I have a lot of projects I get asked for, but the opera house really is my house - my home. It's where I feel comfortable and confident and I get to explore these big human stories and dramas and collaborate with extraordinary people, great talented artists and administrators and other people who are passionate about it and support it. It's like working with a great big family - the family you love and enjoy being with all the time.
I love to dance. But I don't like being up in front of tons of people. I didn't have that in me to do it, the desire to be performing in front of a lot of people. If there's a lot of people on a set, I get nervous. So music just wasn't something I ever seriously considered.
I like any reaction I can get with my music. Just anything to get people to think. I mean if you can get a whole room full of drunk, stoned people to actually wake up and think, you're doing something.
The bigger the crowds get, the more nervous I get. I actually am very comfortable with a half-filled room of people who are slightly disinterested and are irritated at a Barnes & Noble.
Since my father's death, a lot of people have made it clear that they're not ready to give up the music. For me, it's a big, fat gift. I get to sing with a big orchestra and get to sing orchestrations that will never be old.
I don't really get that nervous about whether people like it. You can't do anything about that. It's more technical. You spend two years of your life obsessing, picturing sound details, and you work so hard to make a movie a certain way, that you get there, and you're like - is it loud enough or whatever, so that this experience with everybody in this room is the fairest chance I can get. And then if you like it, cool, and if you don't, whatever.
The music kind of possesses me when I sing. So whenever I start to sing on a show - I mean, first, I'm nervous, and then when I get into it, it's just like I feel like I'm the person who sang the song first.
I love being in an arena that has like 10,000 people and huge crowds. I want to do a show at like the Viper room so badly. Like go up on stage and thrash myself around, go jump into the crowd. You can effing swear, get drunk on stage and do whatever you want basically.
What I try to get beyond is playing music at people and, instead, to play music with people because audience members are constantly part of the experience. What they say in their body language, what they say in their eyes, what they sing with me... it's an 'us,' and there's a communication that's like... it's like church, man.
I don't like people. I don't like any kind of people. When you get them together in a big lump they all get nasty and dirty and full of trouble. So I don't like people including you. That's what a misanthropist is.
Related Authors
Cate Blanchett Quotes
Australian
Actress
Germaine Greer Quotes
Australian
Activist
Gregory David Roberts Quotes
Australian
Author
Hugh Jackman Quotes
Australian
Actor
James Wan Quotes
Australian
Producer
Joel Edgerton Quotes
Australian
Actor
John Flanagan Quotes
Australian
Author
Julian Assange Quotes
Australian
Activist
Markus Zusak Quotes
Australian
Author
Melina Marchetta Quotes
Australian
Writer
Michael Leunig Quotes
Australian
Cartoonist
Nick Cave Quotes
Australian
Musician
Nick Vujicic Quotes
Australian
Priest
Nicole Kidman Quotes
Australian
Actress
Peter Singer Quotes
Australian
Philosopher
Tony Abbott Quotes
Australian
Politician