A Quote by Jarvis Cocker
I always feel like there are specific things about Houston. There's one museum in particular in Houston. So many of the things that I'm interested in now I can sort of trace back to that museum, which introduced me to them.
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I don't feel like I sound like anybody from Houston. I don't really feel like I have that Houston flow, that Houston sound. I feel like it's a mixture of all the things I've listened to growing up, or even my mom, in a way. I feel like I have my own style.
The museum in D.C. is really a narrative museum - the nature of a people and how you represent that story. Whereas the Studio Museum is really a contemporary art museum that happens to be about the diaspora and a particular body of contemporary artists ignored by the mainstream. The Studio Museum has championed that and brought into the mainstream. So the museums are like brothers, but different.
My music is just fresh. Everybody say it's a breath of fresh air because it's not like the normal Houston sound you would hear. I am from Houston and I use that same slang and I carry myself the same way as a Houstonian and I'm a Houston dude born and raised, but the music is a lil bit different due to the things I've seen and the things I've learned and put that into my music.
I feel like Houston is one of the leading things in music culture. Everyone loves the Houston culture. It needs to have its own monument, its own moment for artists like me, artists like Beyonce who set it off.
What I think about when I frequent the Museum of Natural History, the Metropolitan [Museum of Art], and I look at these artifacts that are taken out of context and how we're forced to view them as objects, as relics, as sculpture- static. But what's interesting is what it allows me to do in my head in terms of imagining what the possibilities are or imagining the role in which they played within a particular culture which I'm fascinated by.
A Children’s Museum, however, is more of a Funatorium. You are encouraged to touch things, which is poor training for subsequent museum visitation.
I think about museums often. There are things that I want museums to do that they often don't. For me, I like it when there's a system within the museum that can continuously change - whether it's a museum that is nomadic or one that's designed so the building can shape-shift. I like restless spaces, and I want to be engaged.
[Cameras] tend to turn people into things and the photograph extends and multiplies the human image to the proportions of mass-produced merchandise and, [in the age of photography] the world itself becomes a sort of museum of objects that have been encountered before in some other museum and to say that the camera cannot lie is merely to underline the multiple deceits that are now practiced in its name.
Sometimes I feel like a caretaker of a museum -- a huge, empty museum where no one ever comes, and I'm watching over it for no one but myself.
It is a standing source of astonishment and amusement to visitors that the British Museum has so few British things in it: that it is a museum about the world as seen from Britain rather than a history focused on these islands.
I did make several trips to the very wonderful [Georgia] O'Keeffe museum. Besides the art (my favorite paintings are from her Pelvis series) my favorite thing about the museum is the architecture. I love how enormously tall the doors are - it is like going into a church. There is also something home-like about the layout of the museum. I wish I could live there!
This is not a museum of tragedy. It is not the museum of difficult moments. It is the museum that says -here is a balanced history of America that allows us to cry and smile.
With Houston, the H stands for 'hustle.' There's a billboard that says, 'Houston, hustle, heart, and home.' That encompasses Houston.
Every museum is full of nice things. That's the opposite of before. It was important things or serious things. Now we have interesting things.
There are certain things in which one is unable to believe for the simple reason that he never ceases to feel them. Things of this sort - things which are always inside of us and in fact are us and which consequently will not be pushed off or away where we can begin thinking about them - are no longer things; they, and the us which they are, equals A Verb; an IS.
If I went to somewhere busy, I wouldn't last very long. I can't go to a museum - I'll last 10 or 15 minutes in a museum. The problem is that when one person asks for a photograph, then someone sees a flash goes off, then everyone else sort of... it's sort of like a domino effect.
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