A Quote by Jarvis Cocker

I've always had an eye for nature, but it's the sort of thing to keep quiet about, because I don't want to come across as a mad hippy. But it makes sense to appreciate those things.
To those who do not know mathematics it is difficult to get across a real feeling as to the beauty, the deepest beauty, of nature ... If you want to learn about nature, to appreciate nature, it is necessary to understand the language that she speaks in.
To want to come to New York, you have to have a sense of wonder about the world and a foolish sense of worth about yourself. And I, too, had both of those things.
I can't live in a bubble and expect to come and work with Dior or go work on a movie and not have some kind of an evolution within myself and my own thought process and a passion about things or what's happening in the world. All of those things are the elements that make you who you are, and those are the things that sincerely come across in a photo or a commercial or in an interview. That's a constant thing for me.
There's a lot of unexpected things. Wonderful things, tough things, but there's always somebody just ready to pitch in. That's probably the heaviest thing, the constant amount of support because it makes you just want to do even better. It makes you want to do stuff for the fans, makes you want to do stuff for the people on the show. I love it.
I want somebody to love, and I want somebody to love me. And nobody ever will. And that's why it hurts. Because it makes a difference. And when nobody cares, it makes you all mad inside and it makes you want to say things, tear up things, break things, get through the glass.
Looking back and thinking about the past and what I've done makes no sense - I'd like to keep achieving things. Then, when I retire, I will appreciate everything that's happened and everything I've achieved.
Hippy people had a hopeful idea of what they wanted the world to be like, then most of them changed into corporate Yuppies. But I still have that hippy thing underneath somewhere.
I've realized that a lot of people come to me because of what's called identity. In the sense of "he's like me" - more like identification. Identity is one of those nonsense words: it's been used so much it doesn't mean anything. As individuals, we don't want to stay the same; identity means sameness, and we don't want to be the same, we want to keep changing, we want to grow, we want to become something else. We want to evolve. So when people come to me, it's about resonance - it goes back to that word.
There will always be a sense of things you want to achieve, where you want to be, a sense of disappointment, a few regrets here and there. Those are always going to linger. How you cope with them and how you move on is what your life is about.
The meditative, calm sound is a reflection of my personality. I've got a silly and a crazy side, but it makes sense the music would come across that way. I do yoga every day and try to keep a sense of peace and calm in my life. I don't have a lot of frantic energy.
I'm a very sympathetic person, but that doesn't always come across in my work because I'm too busy being mad at everything.
Zombies are always moving fast in video games. It makes sense if you think about it. Those games are all about hand-eye coordination and how quickly can you get them before they get you.
I just have a hard time with small talk. My friend Jocelyn says I'm too quiet, but I'm really not quiet. I just tend to come across that way to new people because I don't like to talk first. What if the other person doesn't want to be bothered?
I'm very into familiar things, popular things. I'm into things that no one seems to know about or be into. I'm trying to draw a line between those two things and make it clear... that it all makes sense to me. That it's not disparate. That it's all one thing inside me.
I am religious by nature, I'm not a nihilist. I don't follow, I don't even know what the tenets of things like deconstructionism are, and all those schools that come up and their way of looking at things that people strive to incorporate into what they write. I don't even know what they are. Because I sense from a distance that I don't want to know. And therefore even if I had no politics, actual politics, my cultural point of view is hopelessly out of date with the modern literary sensibility. Which is nihilistic, and ironic, detached, cool, and cowardly.
Alice tried another question. "What sort of people live about here?" "In THAT direction," the Cat said, waving its right paw round, "lives a Hatter: And in THAT direction," waving the other paw, "lives a March Hare. Visit either you like: they're both mad." "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat: "we're all mad here. I'm mad. You're mad." "How do you know I'm mad?" said Alice. "You must be," said the Cat, "or you wouldn't have come here."
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