A Quote by Jascha Heifetz
Criticism does not disturb me, for I am my own severest critic. Always in my playing I strive to surpass myself, and it is this constant struggle that makes music fascinating to me.
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A little criticism makes me angry, and a little rejection makes me depressed. A little praise raises my spirits, and a little success excites me. It takes very little to raise me up or thrust me down. Often I am like a small boat on the ocean, completely at the mercy of its waves. All the time and energy I spend in keeping some kind of balance and preventing myself from being tipped over and drowning shows my life is mostly a struggle for survival: not a holy struggle, but an anxious struggle resulting from the mistaken idea that it is the world that defines me.
Sometimes, I know it's not me that makes this music. Like, when the Based God comes, he speaks to me. It's not me, even though I'm there playing the music live, myself.
I'm just me and if me being honest about who I am and putting myself out there in that way makes connections with people and helps people out, that's just repaying the favor of music because that's what music does for me.
I didn't do myself any favours. I would be resentful of my own ideas even before I'd said them out loud. But music was always the most consistent and peaceful thing for me. So I taught myself to be my harshest critic rather than just a mean voice in the back of my head.
The criticism does not hurt because I have always been my own worst critic. I wouldn't say I don't respect other people's opinions, but my opinion is the most important.
All my desires are born of my dreams. And I have proven my love with words. To what fantastic creatures have I entrusted myself, in what dolorous and ravishing world has my imagination enclosed me? I am sure of having been loved in the most mysterious of domains, my own. The language of my love does not belong to human language, my human body does not touch the flesh of my love. My amorous imagination has always been constant and high enough so that nothing could attempt to convince me of error.
I'm my own severest critic, and I realize when I make mistakes.
As far as the hate, it makes me laugh. Everybody is a critic. Every critic I've ever had, they weren't wrestlers. Every wrestler I've ever had critique me, they were always into my stuff or what I'm doing out there. For a non-wrestler, someone who doesn't even know how to lock up, and if we did lock up, they wouldn't know what to do, for them to critique any of us, it really does pop me.
When I had independence, it was a constant battle within me to figure out when am I on my own. And also the insecurity that my life engendered, especially as a freelance cartoonist, kept me in a constant state of anxiety as to whether I am going to be able to meet my financial obligations.
I was interested in a whole range of music that I used to play, popular music -- particularly American music -- that I heard a lot of when I was a teenager," "I think at a certain point it dawned on me that myself playing this music wasn't very convincing. It was more convincing when we played music that came from our own stock of tradition. ... I certainly feel a lot more comfortable playing so-called Celtic music.
No manager in the world gets good results all the time and you know there's people always ready to have a snipe. In fact I'm my own biggest critic, I really am. Because my own standards are so high, I criticise myself behind the scenes more than perhaps I should, according to people who know me well.
For me, there is only one means of ensuring that I do not lose respect for myself: constant criticism.
At home I have a mixing desk that I like playing around on. It's great fun making music myself. And music has always been a very good counterbalance to football for me. It allows me to switch off and relax.
Like, that was weird in 'Hamlet 2,' because I played myself there, fully myself, but then I realized, 'Oh, I'm not playing myself. I'm some weird version of myself.' So as an actress, you're always playing something, I don't even know who I am, how could I become me? I don't know what that is.
Music makes me forget myself, my true condition, it carries me off into another state of being, one that isn't my own.
Age has given me the gift of me; it just gave me what I was always longing for, which was to get to be the woman I've already dreamt of being. Which is somebody who can do rest and do hard work and be a really constant companion, a constant, tender-hearted wife to myself.
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