A Quote by Jascha Heifetz
Music has a lot in common with mathematics. But in music, two and two need not make four: they add up to whatever you wish.
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When we talk about music, we tend to place our experiences into one of two categories: making the music and listening to it. Delineating the two seems practical and obvious. In reality, though, there are a lot of opportunities for overlap, and it doesn't matter how you get into the music as long as you connect with it.
Bach was so mathematical and I liked this idea that you could have one instrument going, 'One, two, three, four', and then you have another instrument going, [double time] 'One, two, three four', and another instrument going, [doubled again] 'One, two, three, four, one, two, three, four', so you could add twos and fours and eighths, and that happens a lot in Bach.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
They gave me four weeks, and I asked if the first week could be just music with the two main conductors. So, the conductors came over to my home, and we worked in the music room, and I learned my two little songs.
I make music to make you sick of fake music, hate music like devil worshippin Satan music. So say your prayers, your Hail Marys and Jesuses. Take two sticks, tape 'em together and make a crucifix.
Numbers still gave Astrid pleasure. That was the great thing about numbers: it required no faith to believe that two plus two equaled four. And math never, ever condemned you for your thoughts and desires.
My first feeling was that there was no way to continue. Writing isn't like math;in math, two plus two always equals four no matter what your mood is like. With writing, the way you feel changes everything.
Hip hop music and soul music have been the two main motivators for me musically. The music I make is hip hop soul, but I do make r&b music as well. I don't think I make r&b music to the point where I'm accurately categorized. There's more to what I have to offer and offer in the future. People could choose to respect it or not, but I pray that you do. As long as you get it, support it, and pay for it, it doesn't really matter.
But again and again there comes a time in history when the man who dares to say that two and two make four is punished with death. The schoolteacher is well aware of this. And the question is not one of knowing what punishment or reward attends the making of this calculation. The question is one of knowing whether two and two do make four
A radical thinks two and two makes five. A liberal is more conservative. he knows two and two make four, but he's unhappy about it.
Music was a big thing for me growing up and Scorsese and Tarantino both use music brilliantly in movies. They're probably two of the best at using music.
Math is my favorite subject. It's the universal language. I like the fact that wherever you go in the whole world, two plus two will still be four.
Not one person from the music world has ever come with - as if I could get a rock'n'roller up at four in the morning to play golf - but that's fine. I have way too much going on to sit around waiting for tee time at two in the afternoon.
One of the things I always underscore when I teach criticism is that young critics, or would be critics, frequently have this illusion that if they write about music they're somehow part of music, or if they write about movies they're part of movies, or of they write about theater they're part of theater, or write about literature. Writing is a part of literature, we belong the species of literature. If you add all the music reviews together that have ever been written, they don't create two notes of music.
You know when I started playing music as a young man I felt the need to be noticed and to prove myself. My motivation is much different now but what's still left is the love of music and the joy of entertaining people- the feeling that I make a difference, giving something back rather than just taking. Every year or two I come out with new music, or new arrangements of old music which keeps my show fresh.
You need music that is compelling and intellectual, but you also need music that just feels good and you can laugh about and dance to, and I think I'm trying to marry the two in some way.
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