A Quote by Jase Robertson

You can talk any redneck into a challenge. That’s why so many rednecks die in strange ways. — © Jase Robertson
You can talk any redneck into a challenge. That’s why so many rednecks die in strange ways.
Most of us had never seen a sober redneck before, and we have the Reagan Landslide to testify that none of us ever wants to see one again. It was a horrifying apparition. And ever since Jimmy Carter, all of us rednecks have had to be very careful to be drunk rednecks lest we turn into some kind of awful creature with big buck teeth and a State Department full of human-rights yahoos.
In Georgia, rednecks are just wolves in wolf clothing. In Detroit, you don't know who's a redneck until you go home and meet their parents.
That's the fun part about it compared to most other sports out there. There are so many ways to have fun with it and so many different things and ways to skate and ways to be creative and always switch it up and challenge yourself.
When I was writing Razor Girl, I thought it would be fun to have a redneck TV family that was really just a bunch of actors who had to be trained to be rednecks. That's not so farfetched, if you know how Hollywood works.
How many black people are there in the higher echelons of any industry? We can talk about journalism, we can talk about politics. So why should football be any different?
When I decided to write about my brother and friends, I was attempting to answer the question why. Why did they all die like that? Why so many of them? Why so close together? Why were they all so young? Why, especially, in the kinds of places where we are from? Why would they all die back to back to back to back? I feel like I was writing my way towards an answer in the memoir.
We are in Transylvania, and Transylvania is not England. Our ways are not your ways, and there shall be to you many strange things. Nay, from what you have told me of your experiences already, you know something of what strange things there may be.
If you're afraid they might discover your redneck past, there are a hundred ways to cover your redneck past.
Oh, my ways are strange ways and new ways and old ways, And deep ways and steep ways and high ways and low, I'm at home and at ease on a track that I know not, And restless and lost on a road that I know.
In my career, many a times I was not able to be part of many films, and there were many reasons for them. But I don't know why people still talk only about why I didn't do 'Bahubali 1' and '2.'
Creating ways to be happy is your life's work, a challenge that won't end until you die.
There is no one kind of thing that we 'perceive' but many different kinds, the number being reducible if at all by scientific investigation and not by philosophy: pens are in many ways though not in all ways unlike rainbows, which are in many ways though not in all ways unlike after-images, which in turn are in many ways but not in all ways unlike pictures on the cinema-screen--and so on.
Frankly, I guess, I don't really understand why people, why so many people, are so risk averse. You know, there's always ways to wiggle your way out of any situation if you're motivated enough.
In terms of theater itself, no story is too strange or method of telling it too impossible these days. In many ways, musical theater has caught up with straight theater in that it's allowed more surreality and breaking of form, and that's really exciting to me - the challenge is getting people to produce those shows.
Nobody calls me a racist when I do redneck jokes. Jeff Foxworthy can do as many 'You might be a redneck jokes' as he wants, but I'm telling you as soon as a guy like that does a black joke or something - 'How dare you!' I totally think it's unfair.
I think any information about any type of art form, it's always the right time. But since the last one, I could see there were many things about the culture of DJing that we don't really talk about. We don't really look at how the music is made, how it's conceptualized, how it's put together. We talk about the equipment and the software, but we don't talk about the reasons why we put the music together in the first place.
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