A Quote by Jasmin Bhasin

After seeing some of my emotional scenes, I end up thinking I could've done it better. — © Jasmin Bhasin
After seeing some of my emotional scenes, I end up thinking I could've done it better.
I had worked for a lot of directors whose work I didn't respect, and as I was editing material, I was thinking about how I would have shot the scenes and what I would have done to make the scenes better. After several years of that, I got to the point that I was pretty confident I could sit in the director's chair.
I'll lie awake and think about scenes I could have done better, that I could have filmed in a different way.
There's always something - especially after a loss - that you look back and think you could've done better, whether it's running routes or getting some extra yards after a catch.
I just kind of like to feel myself into stuff by writing scenes and seeing what characters end up saying.
I've picked up a lot of injuries, and there's been games when I've looked back and watched and thought, 'I could have done this better,' 'I could have done that better.'
When I saw 'Badhaai Ho,' I felt I could have done certain scenes better.
I could meet dreadful people and end up seeing the world through their eyes, seeing their frailties, their needs.
Thinking is the activity I love best, and writing to me is simply thinking through my fingers. I can write up to 18 hours a day. Typing 90 words a minute, I've done better than 50 pages a day. Nothing interferes with my concentration. You could put an orgy in my office and I wouldn't look up-well, maybe once.
I just thought it would be awesome to become a lawyer, especially being from a neighborhood seeing the police rough up so many people unnecessarily, people who haven't done nothing. Growing up with kids from dysfunctional families and stuff, I just felt that some kind of difference could be done. And now I'm getting to do it with music instead.
Tours always leave us some regrets and thoughts that we could have done better and should have done better.
I've done a few studio films in the last few years where I feel like I've done good work, and then I only end up in two scenes. That's been very disappointing.
When I'm constructing a poem, I'm trying to write one good line after another. One solid line after another. You know a lot of the lines - some hold up better as lines than others. But I'm not thinking of just writing a paragraph and then chopping it up.
I've done some awful auditions, and I've really done some horrible work, but it forced me to flex those muscles, and that's what makes you a better actor, just doing bad work and seeing what looks bad and growing from it.
Usually we have pick-up shots to film after all the main work is done; sometimes we even do them after our wrap party. Just like when you're packing up and moving, it's the little things that end up taking the most time, and there is no romance in the clean up.
You still could go to some industry or some university or the government and if you could persuade them you had something on the ball—why, then, they might put up the cash after cutting themselves in on just about all of the profits. And, naturally, they'd run the show because it was their money and all you had done was the sweating and the bleeding.
I don't think the criticism is fair. I think the criticism is assuming that Donald Trump giving up on something. He's not. I think if you do end up seeing - if you do end up seeing - some type of agreement regarding DACA and this massive-but-not-wall border security, talking about technology and people, all the things that we need to stop drugs and illegals from coming across the border. If that does become the framework for an agreement that does not mean the president's giving up on his priorities.
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