A Quote by Jasmin Bhasin
Honestly, it's a sad truth, but whenever a show is about to go off air, you start getting hints because the work environment and quality changes.
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I'm getting paid to tour and travel and I don't have to work a shitty job. And it's weird because you like start getting pissed off about that.
'Hum Paanch' never lost its magic unlike some of the current shows, which go off air because they lose fizz. Even after running for almost 10 years, the show went off air only because the makers decided to end it.
The great thing about fiction is that you can start off by telling the truth, then start making stuff up like crazy whenever you feel like it.
If you've as many films as I have, and missed as many opportunities as I have to do good work and been pissed off about it, you say, "Well, now you've got to start getting it right." If you get a chance, you really want to cook. And the tragedy is, when you finally feel that way about yourself, about your work, nobody wants to give you a chance. And that happens to a lot of actors. But I'm feeling very wanted these days, so there must be something in the air.
We did 'The Simpsons Movie,' which took almost four years; it was the same people that do the TV show, and it just killed us. So that's why there hasn't been a second movie. But I imagine if the show ever does go off the air, they'll start doing movies.
Sometimes I get really shy when people recognize me, but when it was from Arrested, I'd be like, "So what do you like about it? You watch it? Will you try to watch it when it's on, and not just TiVo it? Because if you don't want it to be taken off the air...." It was really sad when it got taken off the air. But it's really cool. It was nice to have a small part in something with a big life.
Happiness takes work. It doesn't always fall off trees or come easily. You really have to be someone that doesn't fall prey to being sad. I don't want sad, I can't be sad, I don't want to be about sad; I avoid sad. It inherently envelops you, so do everything that you can to escape it all the time.
I think any start has to be a false start because really there’s no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it’s really a false start is when you start … it’s hard to put into words.
The truth is, people go to shows because they want a show. They want showbiz. When people talk about a show they saw it's not because they heard a song, it's because they were excited and geared up about the show.
For the record, I am sticking with my claim that the simultaneous degradation of air quality, water quality, water supply, food safety, soil quality, and other environment-related variables is the main challenge to China's continued development.
I usually think about titles. I'll hear somebody say something and write it down in my notes, and whenever we go into a room, somebody will start naming off titles, and whoever has the best title, that's what we start writing.
If you're a pitcher, and you're pitching and you strike me out and you start celebrating on the mound and showing me off, whenever I get a hit off you, I'm going to go and celebrate, and you shouldn't get mad. If you're a pitcher and strike me out and show me respect and you don't show me up, when I get a homer or a hit, I'm not going to show you up. That's what I believe.
Honestly, I am always shocked when I see myself in the mirror because I feel exactly the same as I did when I was 18 getting off the plane to go to Juilliard in New York.
You start to fall in love with characters as you work with them, and anytime that you care about your characters and you realize that you're gonna have to kill them, that fear creeps in. It's sad. It's scary, and it's also sad. Because you like these people.
Before I start directing a show, I try to spend a few weeks hanging around the set, getting to know the crew and talking to the actors about how they like to work. Who is fussy? Who is left-handed? Who wants to go home early, and who is the perfectionist?
I just feel we are extremely lucky that when we wake up, we get to go to work and do something we love. Honestly, we can't call it work. We're living the dream, really. If you start thinking about the dangers too much, it's time to stop.
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