A Quote by Jasmin Bhasin

Jaipur plays an important role in my journey of becoming an actress. It all began in this city. One day, someone spotted me in the city and asked me to come for a photoshoot. — © Jasmin Bhasin
Jaipur plays an important role in my journey of becoming an actress. It all began in this city. One day, someone spotted me in the city and asked me to come for a photoshoot.
When I did Sean Penn’s movie, I think I was living in, like, a $500-a-month room, and someone called me up or bumped into me and asked me if I’d come up to work for a day. That sort of got me going a little bit. But it wasn’t until Sin City [2005] that I kind of got back into the game.
I am deeply humbled by the hope and trust that Londoners have placed in me. I grew up on a council estate just a few miles from City Hall, and I never imagined that Londoners would one day elect someone like me to lead our great capital city.
When I took the decision to join City, Pep Guardiola's call was very important. He called me, spoke to me about the project, and explained that I was going to be an important part of it. I felt very happy. The prestige of Manchester City's shirt is also very important.
For me, modelling has been an advantage because if I hadn't been modelling, I would never have been spotted as an actress. I didn't have any intention of becoming an actress.
The most important part of a city is its people. In fact, people for me are like little cities. When you meet someone, it's like you've found a new city to explore. You take a tram, visit the museums and operas and cafes.
A long time ago, I took a walk down a street in Harlem in New York City. I came upon a man who asked me for a dollar. He had asked a few other people before me, but they only passed him by without glancing his way. I stopped and handed the man some money. As I began to turn away, he reached out and shook my hand. He looked me in the eyes and said, "I will bless you." Now, I'm not saying that was God Himself. But how do we know that it wasn't someone working for him, walking around in disguise, just to see what we would do?
I have this great fear of Mexico City. I won't go to Mexico City unless someone meets me at the airport and is with me. I just feel very vulnerable there.
When I'm in Los Angeles, it's hard to be creative. For me, New Orleans is one of those places that's like a muse. You can hear music on the streets. There's a certain character the city has that inspires you when you're needing to write lyrics and come up with melodies and come up with rhythm and blues. The city has a pulse and it's an inspiration for me.
It's important to me that there's not just one story told about our city. 'LSD' is an ode to Chicago, a song for the complicated love I have for my city.
I think as much as the city is changing us, our experience inside the city also changes. I think, a city like Cairo - and it's interesting because yesterday, a friend of mine told me the same this thing about New York - is a city that you can't control. It's very bold and very aggressive, and it will constantly resist any attempt at control. But even though you can't control it, you can find your path within the city. You can come to a better understanding of your relationship with it.
Paris. City of love. City of dreams. City of splendor. City of saints and scholars. City of gaiety. Sink of iniquity.
I am a Delhiite, and my journey as a singer began in the city.
Before signing with Liverpool, I talked to Roberto Firmino about what the club is like and what the city is like. He spoke well of the club and the city and other people who have already visited the city. The information only gave me more motivation to come to Liverpool.
My relationship with Paris began when I was working for Cerruti in the mid-1960s. When there was an important event in his store, Nino Cerruti very kindly took me with him. I was fascinated, and the city made a big impression on me.
I have already told Vermaelen to come to Napoli 10 times. The city is magnificent and even Benitez asked me to convince Vermaelen to come here.
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