A Quote by Jasmine Cephas Jones

In 'Blindspotting' I play a girl from Oakland, I've got an accent, I've got long, '90s 'Poetic Justice' braids, and in 'Monsters and Men' I play a girl from Brooklyn.
I never play all new stuff, because you got to "dance with the girl that brought you" what is that saying? You got to play the songs that got you there, so I love playing the songs from my very first record.
I ended up living in braids. It was the '90s - thin braids were very popular - and my mom took me to a lady's kitchen. I got it done, and I've never stopped.
For people who know both New York and the Bay Area, it is a complement to say that Oakland is San Francisco's Brooklyn. It's a complement both to Oakland and to Brooklyn. And, if you look at Brooklyn, Brooklyn is hot; Brooklyn is cool.
You'd always see a lady or a little girl sitting at a piano. I decided I wanted to play something more unexpected, so that's when I got interested in learning to play the guitar.
No matter how cutting-edge Hollywood may seem, it is still delayed in how it views people: If producers do not perceive me as an Iranian girl, then I cannot play an Iranian girl. If you aren't perceived as a full black girl, then it makes it more difficult to play a black girl on TV.
Having a boy play a girl (and when I say 'play a girl' I don't mean that he is represented as a girl, because he is represented as a young man) is complicated. He knows he's looking at photographs of a girl and copying those poses. So the audience sees him as a man, but he can only see himself as a woman, because that's the model he's looking at. It was a really interesting exchange.
It meant that she belonged some place. She was a Brooklyn girl with a Brooklyn name and a Brooklyn accent. She didn't want to change into a bit of this and a bit of that.
When people say, 'You run like a girl; you play like a girl,' it's not what it used to be. That shouldn't be negative. You should be proud to play like a girl.
A lot of the men were upset or jealous of me because I got the girl. Men are always trying too hard. When I effortlessly get the girl, it pisses them off.
The nights were long, like the braids of a pretty girl, and the days were short, like a girl's sense. ("The North")
I still can't believe I'm the girl who got to play Fantine.
I wasn't pretty enough to play the popular girl, I wasn't mousy enough to be the mousy girl, so I never fit in. And so I'd get close, but I never got anywhere, and it was really painful.
Do I seem to play characters that in the end don't get the girl? Maybe. But you don't always get the girl or the guy, and there has to be someone to play that.
Mithros's spear, Kel!" he exclaimed. "When did you turn into a real girl?" "You said she was a girl already," muttered one of his cousins... "But not a girl-girl, with a chest and all!" protested Owen. ..."I've been a girl for a while, Owen," Kel informed him. "I never realized," her too outspoken friend replied. "It's not like you've got melons or anything, they're just noticeable.
It's a wonderful way to get at who someone is through their own love of music and going right at their subconsciousness if you will. You don't play girl singers for girl singers. You know, there's certain things. You do play Ellington for Bobby McFerrin.
In the forties, to get a girl you had to be a GI or a jock. In the fifties, to get a girl you had to be Jewish. In the sixties, to get a girl you had to be black. In the seventies, to get a girl you've got to be a girl.
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