I love characters who are kind of haunted by their pasts, who struggle on despite their flaws, knowing that, at the end of the day, they're not going to shuffle off to those pearly gates.
The Pearly Gates. Am I the only one who finds it odd that Heaven has gates? What kind of neighborhood is Heaven in?
All of the characters on 'Doom Patrol' explore traumatic pasts, how to deal with those pasts, and how that affects their present and their future.
Some people are haunted by their pasts, but not my family. I mean, how can you be haunted by something that never really dies?
I dread my trial at the pearly gates - knowing my luck, I'll be hot on the heels of a blameless nun who will be ushered straight to a luscious cloud with prime sea views.
This is what I say to the most conservative person that's so terrified of gay marriage becoming legal. Just because the state says it's legal, it's not like God's going to let them into Heaven. So you can still sleep sound every night knowing that goal line defense is up at the pearly gates.
With my physicality and my face, I don't think I could pull off a completely righteous guy. There's something devious about my eyes. I like characters with flaws and to see how they overcome those flaws. I want to play real people, and they're flawed, not perfect.
I think all girls do struggle with image, despite not knowing what's going on with other people.
At the end of the day, 'Shuffle Along' is about people coming together and making something extraordinary - and history not necessarily being kind to them. It's about the love of necessarily being kind to them. It's about the love of doing, regardless of the consequences.
So yes. It had flaws, but what does that matter when it comes to matters of the heart? We love what we love. Reason does not enter into it. In many ways, unwise love is the truest love. Anyone can love a thing because. That's as easy as putting a penny in your pocket. But to love something despite. To know the flaws and love them too. That is rare and pure and perfect.
I envy the people who say, 'oh, well, I've got my name in the golden book and I'm going to be entered into the pearly gates.'
Despite everything - despite all this hatred, despite all this misunderstanding between nations and civilizations - I think love is the end. Love is the end.
I love these kind of movies as a kind of cinema-going geek myself. Those characters, you want to be like those characters when you go to the movies. You know, when you see a movie with a guy who's really cool and the killing's slick and easy. I don't know. There's something intoxicating about it.
Any kind of run-of-the-mill flaws that are easily solved, to me, are boring. Situational flaws, for example. I like flaws that are rooted in a deep distrust in people because of a lack of love.
Flaws make us all human, and you're rooting for characters because of those flaws. It's ageless if you're interested in relationships and the way people can or can't relate to each other.
You always take a little bit back with you at the end of the day. I always put a little bit of myself into the characters, too. You find parallels, points of connection, things like that. But I'm not an actor who gets so incredibly haunted by my characters that I can't come back.
Love is being accepting of all of their flaws. Love is being understanding and compassionate. Love is realizing that they are going to make mistakes but knowing you can't hold it against them. Love is being constantly supportive.