A Quote by Jason Aaron

I'm happy I can sit home in my office and make up stories about superheroes. And I only have to deal with a pretty limited amount of people to get those comics produced.
Any medium can only live up to the strengths of the people working in it. If it's been used to tell bad or boring stories, it's not a problem with comics; it's a problem with the writers of those comics.
To be honest, I find going out pretty scary and intimidating. Got all those people checking you out, with only one purpose: hooking up. I'm quite the dork, I'd rather sit home and play Scrabble. But that doesn't get you a girl, does it?
I'm a firm believer in the idea that there are a limited amount of human stories that we tell - there's about seven of them - and of course, there's variations on those stories, and they can take place in infinite places.
It dawned on me that comics were not an intrinsically limited medium. There was a tremendous amount of things you could do in comics that you couldn't do in other art forms - but no one was doing it. I figured if I'd make a try at it, I'd at least be a footnote in history.
I've told stories about people coming to my office and giving me their coats and requesting that I hang them up and get coffee - which I dutifully do. And then I come in and sit at the head of the table. It's awkward.
Comics shouldn't be 'tools' for anyone's agenda except for the characters. And I am speaking only of super hero action comics. I love many of the alternative comics that are like journalistic stories. Documentary comics, a mix of reportage and fiction. Those are just great.
There are a huge amount of people who sell a TV pilot every year, but most of them never get produced. It's very easy to make a living and never get anything produced.
There are a huge amount of people who sell a TV pilot, every year, but most of them never get produced. It's very easy to make a living and never get anything produced.
I think supporting casts in comics are missing. I think a lot of the time in comics, all we have are people in costumes talking to other people in costumes, superheroes talking to superheroes and supervillains, and that's it.
The appealing thing about comics: There literally is no budget in comics. You're only limited by your imagination.
That was the appealing thing about comics: There literally is no budget in comics. You're only limited by your imagination.
I think comics are really - superhero comics are at their best and most primal when they're about joy and flying, and about escaping the gravity of the world. But, at the same time, that's not to say all stories should be happy.
When I left WWE, TNA offered me a deal. It was a sweet deal: ya sit at home the majority of the year. Just show up every now and then and make some money. That was a sweet deal for me; that was like a vacation.
Only think about the people you enjoy. Only read the books you enjoy, that make you happy to be human. Only go to the events that actually make you laugh or fall in love. Only deal with the people who love you back, who are winners and want you to win too.
There is a very diverse range of superheroes, especially with the Firestorm character. In the comics, there is a black Firestorm. But we still don't see that many black superheroes. So what The CW is doing and what DC Comics is doing with this whole universe with diversity is absolutely amazing.
There are a lot of good comics, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics - there are black comics that work only black crowds, gay comics that do only gay crowds, and southern comics that only work down South, and so on with Asian, Latino, Indian, midgets, etc. The previous generation's comics were better because they had to make everybody laugh.
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