A Quote by Jason Alexander
The actress (Heidi Swedberg) is this wonderful girl, and ... I love her! i couldn't figure out how to play off of her. Her instincts for doing a scene - where the comedy was - and mine were always misfiring.
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I'd like to do a comedy with Emma Thompson. I admire her as an actress so much. I love her. And I didn't know it until recently that her whole career started in comedy.
She was like me in lineaments-- her eyes Her hair, her features, all, to the very tone Even of her voice, they said were like to mine; But soften'd all, and temper'd into beauty; She had the same lone thoughts and wanderings, The quest of hidden knowledge, and a mind To comprehend the universe: nor these Alone, but with them gentler powers than mine, Pity, and smiles, and tears-- which I had not; And tenderness-- but that I had for her; Humility-- and that I never had. Her faults were mine-- her virtues were her own-- I loved her, and destroy'd her!
We love a girl for very different qualities than understanding. We love her for her beauty, her youth, her mirth, her confidingness, her character, with its faults, caprices and God knows what other inexpressible charms; but we do not love her understanding.
[On her mother:] My relationship with her is close, painful, and skaky, and I always have to keep searching for a sign of love. Everything I do, I do to please her, to make her smile, to ward off her fury. This work is extremely exhausting.
Mine eyes Were not in fault, for she was beautiful; Mine ears, that heard her flattery; nor my heart, That thought her like her seeming. It had been vicious To have mistrusted her.
I looked at her. Sheila was my girl--the girl I wanted--and wanted for keeps. But it wasn't any use having illusions about her. Sheila was a liar and probably always would be a liar. It was her way of fighting for survival--the quick easy glib denial. It was a child's weapon--and she'd probably never got out of using it. If I wanted Sheila, I must accept her as she was--be at hand to prop up the weak places. We've all got our weak places. Mine were different from Sheila's, but they were there.
Her little shoulders drove me mad; I hugged her and hugged her. And she loved it. 'I love love,' she said, closing her eyes. I promised her beautiful love. I gloated over her. Our stories were told; we subsided into silence and sweet anticipatory thoughts. It was as simple as that. You could have all your Peaches and Bettys and Marylous and Ritas and Camilles and Inezes in this world; this was my girl and my kind of girlsoul, and I told her that.
Like a girl, a baby running after her mother, begging to be picked up, and she tugs on her skirts, holding her back as she tries to hurry off—all tears, fawning up at her, till she takes her in her arms… That’s how you look, Patroclus, streaming live tears.
Phyllis Diller came through a mine field of male comedians when she arrived on the comedy scene and she defused them all. She won her place in the Hall of Comedy as the First Lady. I will miss her.
I'm sure my mum was a huge influence on my wanting to be an actress: just seeing her doing it, seeing her love it, caring about it. Invest in something, take it seriously and be so wonderful.
How long an actress lives professionally depends on her stamina, the extent of her masochism, her imagination, and her yearning for recognition or approval.
I've borne the shame of mother while you bought her off with a present and a treat here and there. God knows how hard I tried to civilize her so as not to have to blush with shame when I take her anywhere. I dressed her in the most stylish Paris models, but Delancey Street sticks out from every inch of her. Whenever she opens her mouth, I'm done for. You fellows had your chance to rise in the world because a man is free to go up as high as he can reach up to; but I, with all my style and pep, can't get a man my equal because a girl is always judged by her mother.
But her name was Esmé. She was a girl with long, long, red, red hair. Her mother braided it. The flower shop boy stood behind her and held it in his hand. Her mother cut it off and hung it from a chandelier. She was Queen. Mazishta. Her hair was black and her handmaidens dressed it with pearls and silver pins. Her flesh was golden like the desert. Her flesh was pale like cream. Her eyes were blue. Brown.
I study her,” Patch said. “I figure out what she’s thinking and feeling. She’s not going to come right out and tell me, which is why I have to pay attention. Does she turn her body toward mine? Does she hold my eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now?” Laughter rose in the room. I dropped my hands to my lap. “She’s game,” said Patch, bumping my leg again. Of all things, I blushed.
And yet he had loved her. A Bookish girl heedless of her beauty, unconscious of her effect. She'd been prepared to live her life alone but from the moment he'd known her he'd needed her.
But will I always love her? Does my love for her reside in my head or my heart? The scientist in her believed that emotion resulted from complex limbic brain circuitry that was for her, at this very moment, trapped in the trenches of a battle in which there would be no survivors. The mother in her believed that the love she hadd for her daughter was safe from the mayhem in her mind, because it lived in her heart.
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