A Quote by Jason Alexander

I would work with any one of them again in a heartbeat because it was joyous and incredibly easy. — © Jason Alexander
I would work with any one of them again in a heartbeat because it was joyous and incredibly easy.
There's a heartbeat in any country that carries on regardless - at least in Europe. That's what worries me about America, because I'm not sure what that heartbeat is - unless it's the heartbeat of someone who's just arrived, who just ran over the border two weeks ago.
And at any moment it all ends with a heartbeat…just one heartbeat, and there’s no more time. One heartbeat and the chance to be saved is gone. One heartbeat and there’s no more choosing—it’s all sealed for eternal life or eternal death.
Sexual intercourse... a joyous, joyous, joyous, joyous impaling of woman on man's sensual mast.
I am flying back to New York as I write this. I will never forget these wonderful 35 days and I would go back to Copenhagen in a heartbeat to work there again.
'How I Met Your Mother' - I would do it again in a heartbeat. It was so much fun going to work every day... we laughed and laughed. It was just pure, lovely fun.
I would do 'American Splendor' and 'About Schmidt' again in a heartbeat.
I was teased if I brought my books home. I would take a paper bag to the library and put the books in the bag and bring them home. Not that I was that concerned about them teasing me - because I would hit them in a heartbeat. But I felt a little ashamed, having books.
David Mamet was great to work with. He was everything that I thought he would be as a director. He's incredibly articulate, an easy collaborator. Extraordinarily knowledgeable about film and writing.
The key thing about us is that we all belong to multiple tribes. Even if we are predisposed into dividing the world into 'us' and 'them,' it's incredibly easy to manipulate us as to who is an 'us' and who is a 'them' at any given moment.
I am convinced that missionary work is not easy because salvation is not a cheap experience. Salvation never was easy. We are the Church of Jesus Christ, this is the truth, and He is our Great Eternal Head. How could we believe it would be easy for us when it was never, ever easy for Him?
The elephant in the room time and time again when it comes to work and promotions is maternity leave. We need to work with businesses so they work with women and make it easy and supportive for them to come back into the workplace.
Life is not always easy. And that is a major reason why it is so precious. Many of life's best rewards are possible only because you must work your way through difficult challenges to get to them. If everything in life were easy, there would be no opportunity for real fulfillment.
Aaron Sorkin uses a lot of the same people again and again - the people he likes. I think if there's ever a part for me, he would consider me for it. I hope so. Sometimes familiarity breeds contempt, other times it helps you. It's just amazing to work with his scripts. There's never any fat in them. It's all perfect, and there's such a rhythm to it. The musicality of his writing - it's so specific and unique to him, and such a joy to play as an actor, because there's no sentimentality.
This is the eighth game in the series and when we work on a Mario Kart title, we work on courses and we create them and then we work on them again, and again, and again, and we revise until we come up with something that we think is going to be fun for everyone to play over and over again. So we have a lot of confidence in our ability to do so, but we understand what a tough challenge it is to create those courses.
I would love to see any one of those people again [Erik Palladino, Paul Schulze, Ian Reed Kesler, even Malcolm-Jamal Warner, Carly Pope,], and I definitely suspect we will see at least one or more of them again, but other than, obviously, Carly Pope, because we leave off anticipating seeing her again [in Suits], of the other ones, we have to figure out a way to make them come back and we haven't yet.
If you notice phrases, ideas, and anecdotes that closely resemble those that appear elsewhere in my writing, it's not a matter of sloppy editing. I'm repeating myself. I'm reshuffling words in the hope that just once I might say something exactly right. And I'm still wrestling with dilemmas that are not easily resolved or easily dismissed. I run at them again and again because I am not finished with them. Any may never be. Work-in- progress on a life-in-progress is what my writing is about. And some progress in the work is enough to keep it going on.
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