A Quote by Jason Alexander

Do you want to have a career that goes beyond, you know, 11 minutes in a 22-minute television show every week? Some people don't. That's fine. — © Jason Alexander
Do you want to have a career that goes beyond, you know, 11 minutes in a 22-minute television show every week? Some people don't. That's fine.
My favorite is doing the television show, as a variety show, every week. If the show wasn't that great one week, we could always come back and apologize, you know?
The television business is based on managed dissatisfaction. You're watching a great television show you're really wrapped up in? You might get 50 minutes of watching a week and then 18,000 minutes of waiting until the next episode comes along.
I'm inordinately proud of Smash, on so many levels. The complexity of producing that show, every week, is just incredible. As a television producer and as a Broadway producer, which I once was, I am in awe of what we can do on that show, every week.
It's just a challenge doing live television every week, you know, it's a challenge to come up with new material every week and stuff like that and try to keep it current, you know what I mean, like it's just, you know, it's a kind of a stressful environment. Like I didn't really realize that we had a show this Thursday until yesterday.
It's a combination, I think they want to know - it's for every show, which is I think networks want to know that you have a vision for where the show could go to make sure that it really is a show, that it's not just a one-off forty minute pilot, that it's an actual series.
Nowadays, to be frank, every week is a good week for freakshow television. we might start asking, Why are there so many freaks? And why do they all want to be on television?
The minute it gets to a runway, you're tempted to do some high jinks. I don't want to show something I won't produce. I want people to wear the clothes I show.
Playing a concert for 2 hours is pie. I would do that every minute of every day if I could. I love to perform. It's the 22 hours before the next show that kills you.
With a television show, it's about fighting to get it on the screen every week. It's like going into battle, and you have to fight these fights. Some are big fights, some are skirmishes, some you can come to detente on, but it's always a fight.
The way that 'Vampire' was born was over a lunch. We got asked to do the show. A week later, we were hired. A week later, we were writing it. The minute we handed it in, it was ordered. The minute we shot it, it was picked up. Then we started working. There was never any, like, 'OK, here's what this show is...' We had to figure it out as we went.
Wait a minute! Wait a minute! I figured this out. I know what's wrong with what we've done in Iraq. We've been following time as it goes forward. What a classic mistake. Linear time is so pre-9-11.
I think that what 'Oz' did is it spawned a great generation of television production. But people know its place in television and just in great dramas. It's the foundation of my career. Most producers, show runners, directors, and casting directors put me in movies based on my performance in that show.
The minute you're offered another option, you're like, "You mean, I can watch this every week, if I want to, or twice this week, if I need to, and not next week, if I don't have time?" I didn't even realize it was something we wanted or needed, which is where all great innovations come from.
If you're a host of a video show and you're on the cleanest show on television for eight years, people want to say, 'Well, that's what that person does.' That was the dilemma for me, career-wise.
I was No. 11 because my mom played basketball in college and was always No. 22. I just cut it in half, and I kept that. I've been No. 11 most of my life, and in college, I was No. 22.
When you limit the length of the video to something under two minutes, it gives everyday people an opportunity to make something entertaining. It's harder to tell a story or create an entertaining piece of content that is based around the time slot model, television shows being 22 minutes long.
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