A Quote by Jason Bateman
Our job, as actors, is to just try to be as accurate and as mindful of what the audience is going through and receiving and processing. If it's a situation where the character should look a little bit out of control or do something stupid, it's your job to act into that, in a believable way.
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Our job as actors is to just try to be as accurate and as mindful of what the audience is going through and receiving and processing.
My job is to be a role model, and that's what I want to do, but my job isn't to be a parent. My job isn't to tell your kids how to act or how not to act, because I'm still figuring that out for myself. So to take that away from me is a bit selfish. Your kids are going to make mistakes whether I do or not. That's just life.
As an actor, you have to be able to put yourself into the character since your job is literally making the character and the situation he is in believable.
I always try to bring a little bit of my own personality to the character, or some sort of personal connection makes it a little bit more of an organic portrayal and the audience can kind of maybe believe it a little bit more. But I always look for something to kind of connect with and identify with, or bring something of myself to the table.
Being producer you're still going to have to sell somebody who's going to give you the money on the idea and everything like that. But it does give you a little bit more control if you're thinking in that creative process; it gives you more control to tell the story you want to tell rather than sort of just reading a script that somebody else wrote and says, "Yes, please, you can hire me for this job." So it's a little bit more hands-on, a little bit more closer to the heart.
We all should be taking a good, long, hard look at ourselves and figuring out what we are and how we got the way we are. And make damn well sure that we're doing at least something to make what's going on inside a little bit of a better situation.
I think what all actors share is that, somewhere down in your solar plexus, there's this fear that you're not going to be able to come up with the goods, that this is the one movie where you're going to look like a fool, and they should have cast someone else. And you feel ugly, and you've got three chins, and you've gained too much weight, and you're losing your hair, and there are so many better actors who could do this. But if you've got chops, what you realize is that everybody feels that way, so just show up and do the job.
Your job, as an actor, is never to just do what you're told. That's boring, and life is too short. It's your job to bring something, and it will either be to other people's taste or your own taste, and you have to try things out. Actors say, "Well, as long as the director's happy," but I don't believe that and I don't agree with that. I want the director to be happy, but if I'm not happy, I won't sleep at night.
If the idea is you're working at a job solely to pay the bills because you have ambitions to do something else, if you're not actively trying to do that other thing, you've gotta make sure you're doing that. Sometimes you've gotta take away your own safety net. But if you feel miserable in a day job, in any job, get out of that. Look for something else. Stay in that job until you have the other thing set up, and then go to that other thing. But sometimes you've just got to jump out with a parachute and trust that you're going to land someplace safe.
I don't know any other job that the off-the-field issues - especially something personal like that - affects your job. But as far as the parenting lesson, no [I understood that]. To me it was so simple, it was a situation where I disciplined my child and it didn't turn out the way I wanted.
For the audience, actors carry out specific roles of men and women through the character that they play out on screen. The director on the other hand is not doing a gender-specific job. So, it is irrelevant if the person who makes a particular film is a man or a woman.
My job as a double was always to put [actors] at ease. My job was to make my character, or the actress that I was doubling, look as badass as possible by being there.
I love my situation as a spectator. The actors are only a little bit ahead of the audience. The audience discovers the episode when it's screened, but we actors only discover the episode when we get the script, two weeks ahead of shooting. Until then, we know nothing of the evolution of our characters.
The idea that you must treat actors a certain way in order to get a performance out of them kind of disturbs me, and it's disregarding what we do. Our job is to do our job.
Would you rather have cheap, subsidized - illegally subsidized - goods dumped into the Wal-Mart and not have a job and not have your wages go up in 15 years, or would you like to pay a little bit more - not much - a little bit more, have a job, and have your wages going up? I think the American people are going to make that choice.
When you get older, you realize something: all those stupid mores and customs related to how a man should comport himself in the "game" of courtship are just that - stupid. Age affords you this blend of apathy and confidence - with a little bit of wisdom thrown in - that allows you to say, "Hey, I am attracted that girl over there, so I'm going to introduce myself. If it doesn't work out, that's fine. If it does, terrific. Either way, I lose nothing for trying."
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