A Quote by Jason Bateman

When you're actor, you have no idea how much work goes into pre-production. We're just sitting in our trailers waiting for someone to knock on our door to go to the set.
I just enjoy the filmmaking side of things. I feel like when you're an actor, sometimes you're in other people's hands and they're in charge of your creative life. Whereas with my production company, I'm the one that gets to make those choices for how I'm gonna spend my time and what content I'm going to be creating. I definitely learn a lot, especially about acting, by producing and directing and seeing how it all comes together, and seeing the other side of things, appreciating what goes into pre- and post-production, and all those things you don't see when you're an actor.
That is the true genius of America, a faith in the simple dreams of its people, the insistence on small miracles. That we can say what we think, write what we think, without hearing a sudden knock on the door. That we can have an idea and start our own business without paying a bribe or hearing a sudden knock on the door. That we can participate in the political process without fear of retribution, and that our votes will be counted.
The wonderful thing about theater is that anything, no matter how tendentious, no matter how stupid it sounds at first glance, can be made to work if it is charged with freshness and originality. You can have an entirely political Shakespeare production and I'll be sitting on the edge of my seat as long as it's surprising, as long as it's not just the standard, "out of the box" pseudo-transgressive production that we just see too much of nowadays.
To have a creative outlet that you can control is really important because you do a lot of waiting to be cast, then waiting to go into production, and then waiting on set.
You can't show up on set and expect it all to come together. You have to have a plan, much like how the director can't just show up and go, well, where should I put the camera? That is gonna determine how it is lit, you should have already been in the room looking at it earlier, pre-lit the room, you know there is a lot of prep that goes into it, so it is the same thing with acting. You can't just show up.
Be a creator, not just sitting on the sidelines waiting for someone to call you into the game or call our number.
There was a knock on our dressing-room door. Our manager shouted, 'Keith! Ron! The Police are here!' Oh, man, we panicked, flushed everything down the john. Then the door opened and it was Stewart Copeland and Sting.
I think I read films having grown up around the pre-production and post-production aspect of the filmmaking medium, a lot more than most young people who are in acting would have experienced. I do think about scripts in a different way. I can't just read a script as an actor. I don't know how to do that.
Pre-production and post-production is something that I've never been exposed to. I was pleasantly surprised that you could accomplish a lot during pre-production.
There are not three stages in spiritual life-worship, waiting, and work. Some of us go in jumps like spiritual frogs. We jump from worship to waiting to work. God's idea is that the three should go together. They were always together in the life of our Lord.
By closely supervising our infants, by allowing them to do what they are capable of, by restraining ourselves from rescuing them too often, by waiting and waiting and waiting, by giving minimal help when they really need it, we allow our infants to learn and grow at their own time and in their own way. I believe that, no matter how much and how fast the world changes, a well-grounded, competent, and confident person is best equipped to adapt to it. This is our goal.
My strengths, I think, are that I deal really well with people. I like people. I'm fascinated by how they work so I'm good at handling situations between departments on set or pre-production or post.
I always say to every actor, and to people that want to get into this industry, to just try to be on set as much as you can, try to go to acting class, and try to work on your craft because there's nothing that can prepare you, like just when you get thrown onto a set and you've got to work.
We can get carried away with our heads in books, and although there's so much to be learned from that, I think sitting in a cafe and speaking with someone - whatever it is, their mannerisms, their choices, are just as valuable as any class you can go to.
You work with each individual actor as you perceive their needs to be. It's something that you've figured out in the weeks of pre-production.
The idea that cancer genes are sitting inside each and every one of our chromosomes, just waiting to be corrupted or inactivated and thereby unleashing cancer, is, of course, one of the seminal ideas of oncology.
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