A Quote by Jason Bateman
I really enjoy playing that everyman part because that part is us, the audience. And you need somebody inside a comedy to tether the absurdity to reality.
Related Quotes
Traveling is a part of the business. I think it's really the hardest part of the business because the wrestling part is the easy part - something I love and enjoy doing.
It's fun once in a while to do a serious part but I really enjoy doing comedy because I love to laugh.
The one thing about comedy, making it become a part of you, the audience loves it, because you become part of them.
Everything alive is part of each of us, and many things which do not move as we move are part of us. The sun is part of us, the earth, the sky, the stars, the rivers, and the oceans. All things are part of us, and we have come here to enjoy them and to thank God for them.
I am always excited about playing in front of live audiences because I really enjoy it, for the most part.
I wasn't a trained actor, I was trained in musical comedy theater, and when you do that, the audience is completely part of the thing. It's like Elizabethan theater. You play the scene, and then you turn - the audience is part of it.
Fame can be very dangerous, because you can start to enjoy that part of it. And that's not the good part of what I do for a living. The good part is the making of films. The unpleasant part is the fame part, if you're not careful.
If you call me a comedian I will be very grateful. I will thank you profoundly. No, I love doing comedy. It's fun once in a while to do a serious part but I really enjoy doing comedy because I love to laugh.
The hour and a half I'm on stage is my favourite part of the day when I'm on tour because the only part I really love is the interaction with the audience.
Some artists see a gig as an audience worshipping them. I think it is about having a great time together. I have a part as the singer. An audience has a part. Playing a gig doesn't make me high on myself.
What I loved about playing the corpse is that obviously somebody else got to do the physical part. It appeals to the part of me that likes playing character parts and getting the chance to get away from my own physicality.
What’s this? What are the antagonists doing here – infiltrating their own audience? Well, they’re not really. It’s somebody else’s audience at the moment, and these nightly spectacles are an appreciable part of the darkside hours of life of the rocket capital. The chances for any paradox here, really, are less than you think.
You really have to get out of an actor's head to write because actors only care about their part and it revolves around their part so "This is the important part because this is the part where..." .
It's a tricky one when you're playing somebody who is mad. There's often the big actor's question, if you're playing a part like that: do you take it to be an internalized thing, pull the audience in, or do you go full-out, and kind of present it as quite a shocking thing?
I'd rather lose the small part of the audience that is going to be insulted because a documentary shouldn't have music than the big part of the audience that kind of gives itself over to the scene.
A lot of my buddies enjoy the writing part or the studio part, and I love the live show part. That's the reason I got into all this, to play keg parties and bars. I still love playing live.
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