A Quote by Jason Bateman

A straight factor is important in any comedy, because you need something to tee it up and also to ground it. — © Jason Bateman
A straight factor is important in any comedy, because you need something to tee it up and also to ground it.
I love the idea of doing comedy, whether it's action comedy or just straight comedy. It's such a big, new world for me that I'm starting to realize that any character that I relate to, in any way, shape or form, or that I have any appreciation for, given enough preparation, I can find that person.
When we fall on the ground it hurts us, but we also need to rely on the ground to get back up.
When someone who is known for being comedic does something straight, it's always "a big breakthrough" or a "radical departure." Why is is no one ever says that if a straight actor does comedy? Are they presuming comedy is easier?
I know that if any other comedian came up to me questioning something I did or said, it would be literally settled in a heartbeat. I love comedy. I give to comedy. I don't take from comedy.
The X Factor is something that's real. Once you find that X Factor, it's undeniable. No matter what the critics say about our band, we obviously have the X Factor. Redfoo has got the X Factor.
I'd like to help other comedians and when I get a little older I'd like to open up a nice comedy club that is straight classy, with a straight restaurant and a chef. The whole thing, red carpet, and treating people nice, for people to come back and have a good time. That's the kind of comedy club I want to open up.
All jokes aside, it's a very difficult job playing the straight man. Jason is potentially the most brilliant straight man that ever was because he's also really funny while doing it, which is even harder. I've always seen myself playing characters who are flawed. We use comedy in our lives to obscure the drama.
It's easier to go outside and play basketball. You can shoot around by yourself. Play pick-up. Whereas with baseball, no one likes putting a ball on a tee, hitting it, chasing it and putting it back on a tee. You need more than a few guys. So I was always in the neighborhood playing basketball with my friends.
A player's character is a crucial factor I look into before committing to signing them. They also need to show a willingness to learn, regardless of age and experience; that's very important to me.
The way I approach any role, whether it's comedy or drama, I like to look for the truth first. I think comedy for the sake of comedy wears dull pretty quickly. You have to ground the character in reality first and allow the audience to sympathize, emphasize and be more invested.
I tend to find comedy in dark places. I also tend to find comedy in taking on the status quo - which has always been something I find important.
A silly comedy needs a straight guy, and that guy needs to be as straight as possible. The moment you start playing straight you're not straight anymore, you're bent straight, so it really requires the usual serious, straight-forward analysis and research, looking into it and finding the dramatic function, all of what you do until you feel you've collected enough points to safely and securely play the part.
I'm not at all funny. I can do dark comedy pretty well, but straight-up comedy, I don't know. I'm much darker. I've been like that since I was 3 years old
I'm not at all funny. I can do dark comedy pretty well, but straight-up comedy, I don't know. I'm much darker. I've been like that since I was 3 years old.
In comedy terms, usually when the weather's bad, it goes much better. When it's sunny, people don't come to see comedy gigs because they're all really happy and don't need cheering up.
Comedy is the result of what's happening, not what people are doing. Because if people are doing comedy. It's embarrassing. The individual elements have to be straight-faced, serious, realistic with a firm basis. What makes it comedy is a somewhat shifted way to put it together.
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