A Quote by Jason Bateman

My father was a director and producer, so when I was a little kid, he would take me to movies and show me what's good and what's not good and why, and often that would take me to a conversation about directing.
If the film isn't in some way going to study behavior then I'm not interested, but the reason why I'm not interested in directing in film is that it would take me, to be as good an artist as I feel I am an actor, it would take me another 35 just to conquer.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
I'm Indian-American and I think that when I think of myself as being culturally Indian, it had so much to do with when I lived with my parents and was a kid because they would take me to the Diwali festivals. They would take me to the temple, and they would teach me about all the different holidays.
Early in my career, I was really spoiled with a beautiful project. I got such a good start that I thought, 'Why would I ever take a step back?' Why would I take on something that wasn't meaningful - to me, if nobody else - and powerful and groundbreaking?
When I was a young kid, my father was a big fan of Hollywood movies. He would make me watch movies with him, and he would explain the story and characters to me.
The idea of 'Freedom's Goblin,' to me, leads to a wild conversation. I would hope that father and son, driving home from the record store, could have a conversation about what that title means. Because to me, it's the duality of being free: the evil and the good, and how it's a constant paradox.
The time it would take me to write a screenplay it would take me the time to make two films. I would rather make the movies and I'm a better moviemaker than I a would be writer.
The time it would take me to write a screenplay it would take me the time to make two films. I would rather make the movies, and I'm a better moviemaker than I would be writer.
As my father taught me, and he drove home that point, he said, 'Just remember something. You don't need to tell anybody how good you are. You show them how good you are.' And he drove that home with me. So I learned early not to brag about how good I was or what I could do but let my game take that away and show them that I could play well enough.
The angels started visiting and helping me as far back as I can remember. I was lonely a lot in my childhood and the angels would come and comfort me, and help me to feel better, and at the same time they would also take me to places. I literally mean they would take me on a journey and tell me things.
I have always been good at auditioning, but maybe because I had a good trick at the beginning. I would pretend that my agent gave me the wrong scene or lines. They would take pity on me and hand me the right scene. I would act like I had never seen this before - and then do pretty well considering I had already rehearsed it.
Man is full of desires: he loves only those who can satisfy them all. "This man is a good mathematician," someone will say. But I have no concern for mathematics; he would take me for a proposition. "That one is a good soldier." He would take me for a besieged town. I need, that is to say, a decent man who can accommodate himself to all my desires in a general sort of way.
Getting movies developed doesn't do me any good as a producer. It only does me good to get movies made.
I'm a very good listener. I think that's one of the things that makes me a good producer. But it's a challenge for me because my custom is to listen and absorb what someone is saying and take it in, and not necessarily comment.
My father would tell me my defects but never praise me to my face. The good things about me he would only tell others when I wasn't around.
When I was a kid, my pop used to take me to the double feature. He would take me - I had two brothers - and we used to go in the early '80s and check out these grindhouse movies - a double feature, sometimes a triple feature.
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