A Quote by Jason Becker

I think mostly music just felt good because my parents gave me a real good childhood so I was rarely sad. — © Jason Becker
I think mostly music just felt good because my parents gave me a real good childhood so I was rarely sad.
My parents are good role models because they've worked hard and gave me a happy childhood.
Music gave me something that was not only good for me - it gave me something to work on, something to be proud of and something that I really loved and have a love for - but also music was good for other people because you put joy into the world.
I don't believe in good music and bad music anymore. I'm through with that phase of my life. Sometimes I just wanna feel good, so I put on a good record. But mostly I'm more of a businessman than a music fan, so I'm listening to music in terms of, is this effective or not effective?
I'm very blessed, mainly because even though my family is mostly in show business, it's really centered around music. My parents were very successful in many ways, but they weren't necessarily top of the charts. We were never wealthy because of music. We always had to work and we always had to struggle a little bit, and I think at the end of the day that's been very good for me, because I have a sense of it being very ephemeral.
If I ever really felt depressed, I would just start putting on all my old records that I played as a kid, because the whole thing that really lifted me then still lifted me during those other times. It was good medicine for me, and it still does that for me when I put something on. Isn't it wonderful that we've got all that good medicine? I think it's got to be all part of our DNA, this mass communication through music. That's what it is. It's got to be, hasn't it? Music is the one thing that has been consistently there for me. It hasn't let me down.
I rarely play a real person, because I don't think I'm a good imitator.
Music is what is going to save me," "On the bad days, when I have to look at the cold, hard facts of life, I see that this is not the music business I came up in and I have to be very, very objective and detached and say, 'what's good about it and what's bad about it?' Mostly, I'm finding it good that it's not the same old music business, because the music business I came up in really didn't advance anything I was doing, and I don't think it was particularly kind to a lot of artists.
I have a really good relationship with my label and with people I've worked with since I was younger. I've always had a really good relationship, with both men and women. I think, for me, the way I face sexism in the music industry is when people are like, "Oh, she must not write her own music." That's frustrating, in a way. But it's cool. I'm mostly just like, "Meh." I'm just doing my thing.
I always had an inferiority complex, like I wasn't good enough. I was shy. But dancing gave me so much joy, and I was good at it. I felt like a whole person because I could dance.
I love life... Well yeah, and I'm sad, but at the same time I'm really happy that something could make me feel that sad. It's like, it makes me feel alive, you know? It makes me feel human. And the only way I could feel this sad now is if I felt somethin' really good before. So I have to take the bad with the good, so I guess what I'm feelin' is like a, beautiful sadness.
My parents were willing to spend time and invest time in my hobbies, no matter how odd they seemed. When I was really young, I collected rocks and minerals. But mostly I would hang out with friends, playing basketball. It was not the most eventful childhood, but I think that's good.
I do not want any child in America to have my childhood because it was taken away from me because I just wasn't good enough; well I am good enough now.
It's always made me feel odd when I'd get a Dove Award for an instrumental album that has nothing to do with gospel. When I think of gospel music, I think of spreading the Good News with words. But maybe it's just because I was heralded once upon a time as one of theirs. The category of instrumental music seems sort of important to the big picture, but I felt a little embarrassed at the same time.
I do remember all of the songs of my childhood and they helped us to cope with being orphans. But the memories of my parents in my early childhood and the solid foundations of socialisation and strong values that they gave me never left me for one day.
I didn't feel a strong bond with the parents who raised me, and I had anything but a happy childhood. My mother was overly sensitive; my father, ascetic. I was neither. I felt as if I were living with complete strangers. I suspect that my parents felt the same way.
Music is my life. The last job I had, I was a bricklayer's apprentice. And I was happy with that job, too, because it was something that made me feel good. To build a wall for the side of a building felt really good to me.
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