A Quote by Jason Biggs

I'm just glad I got to work with the likes of Spielberg. — © Jason Biggs
I'm just glad I got to work with the likes of Spielberg.

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I'm grateful for my health, glad I'm making people laugh, glad my wife still likes me after a lotta years, grateful my daughter is growing, glad I don't take myself too seriously, glad L.A. has Astro Burger, grateful to be coming home to Harlem soon. It's a gratitude list. It works.
Im grateful for my health, glad Im making people laugh, glad my wife still likes me after a lotta years, grateful my daughter is growing, glad I dont take myself too seriously, glad L.A. has Astro Burger, grateful to be coming home to Harlem soon. Its a gratitude list. It works.
My dad couldn't connect to my wanting to be a filmmaker. He was very connected in entertainment, and through him I met Steven Spielberg and got rides on his private plane to California. I'd see Spielberg's people reading scripts. I was like, 'That's what I want to be when I grow up.'
It's just such an honor to say that I was in something by Steven Spielberg. I feel so blessed I got to meet such great people, and I got to go to a beautiful place, Vancouver, and I had a great time.
My craziest on-set story comes from during the Goonies, when I came up to Spielberg and said that I wanted to climb the walls of the tunnels and that it represented my mother's womb, for some odd reason. I was reading Stanislawski at the time and Spielberg's response was "Why don't you just act."
I got to work with Ric Flair. I got to work with John Cena when he was just coming into his own. I got to work with Santino when that character was just started.
I read Animal House and I said, "I will burn down a house to be in this. I have to be in this movie." I read 1941 and I went, "Well, if Steven Spielberg likes it..." But it just wasn't on the page. It was a very big, unwieldy thing, and there were so many characters. It was fun to shoot, but I didn't know what the core of it was.
I think there has never ever been a career like John Williams'. That whole 'Jaws' phenomenon - there's nobody that knows how to use music like Spielberg, and John is just the perfect analog to Spielberg.
I'm just like every other girl who likes to shop, likes to look good, likes to spend time with friends.
You can't control who likes you. If I got Backstreet Boy fans what am I supposed to do? Turn them away? Whoever likes my stuff, likes my stuff but just know Slim Shady is hip hop, I grew up on hip hop, it's the music I love and it's the music I respect. I respect the culture...that's me.
I'm working for myself; what else have I got to work for? How can you work for an audience? What do you imagine an audience would want? I have got nobody to excite except myself, so I am always surprised if anyone likes my work sometimes. I suppose I'm very lucky, of course, to be able to earn my living by something that really absorbs me to try to do, if that is what you call luck.
The working-class is now issuing from its hiding-place to assert an Englishman's heaven-born privilege of doing as he likes, and is beginning to perplex us by marching where it likes, meeting where it likes, bawling what it likes, breaking what it likes.
Personally, I am very glad that Jeremy Borash is here in WWE. He's got a great mind - a very creative person, a good friend of mine - and he just deserves to work here.
I don't really care how or why Obama got to the right place on gay marriage. I'm just glad he got there.
I was just glad I've got an opponent, to be honest. This is my third opponent for this fight prep. [I'm over the moon] to be fighting in my hometown and I just didn't want that taken away. The fact that they've got me a new opponent, I'm not bothered who it is. I just focus on what I can control in my preparation and that's all I've got to worry about. My opponent changes but they're all great fighters in the UFC. Doesn't matter who you step in there with, it's going to be a tough fight.
I am very glad that I got to work with Vidya Balan. I am a huge fan of her work.
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