A Quote by Jason Biggs
But because it was able to balance that kind of humor with a sweet story and characters you really rooted for and also got across the girls' point of view, I've heard nothing but great things from younger and older females as well.
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In order to avoid sentimentality and to be able to write the screenplay with the kind of humor and irony necessary to keep the story moving, I needed to distance myself as much as I could from the characters, to try to get to a point where I could view them objectively.
I've always kind of gravitated toward characters who are a bit distant from the narrator or the point-of-view characters, so that's kind of important to me, to set up a different character who would be the point-of-view character for the story.
We got kind of into a rhythm at 'Parks' because there were so many characters that we had an A story, a B story, and a C story just about every episode. So by the middle of that show's run, we always had three stories, and it worked really well.
[On how she goes about trying to live authentically] Well really listening to my point of view and if I am on a set, say, that doesn't really value a woman's point of view, regardless of how they feel, continuing to give my point of view and try to find a way to be heard and not diminishing myself because other people are diminishing me. Because that, I think, is the worst temptation that, you know, you judge yourself by how others are judging you, and to fall into that trap is to walk into the realm of self-annihilation.
My films are very rooted in specific people's point of view. Some film-makers give a more global point of view, like God looking down at the characters.
The great thing is the thing of being able to see things through many points of view. That's enlarging. I mean, it saves you from ultimately from the boredom of having one point of view, like being locked in a room with nothing but your own point of view, your own references.
My friend Markus Zusak wrote a story from the point of view of death, 'The Book Thief.' I thought that's a great idea, where your omniscient narrator is death. I'm glad he had that idea because I wouldn't have been able to work so well with it.
If one has not heard Wagner at Bayreuth, one has heard nothing! Take lots of handkerchiefs because you will cry a great deal! Also take a sedative because you will be exalted to the point of delirium!
The cuter girls kinda went off from the older women because we're younger, and we're cuter, we've got better bodies, and for some reason that's like a huge issue with older people.
You have to do three things really well to make a successful film. You have to tell a compelling story that has a story that is unpredictable, that keeps people on the edge of their seat where they can't wait to see what happens next. You then populate that story with really memorable and appealing characters. And then, you put that story and those characters in a believable world, not realistic but believable for the story that you're telling.
I think because it is a very well-saturated story,episode of Justified in Hannibal, and we've all heard it in some frame of a story, we've heard the urban legend of waking up in a bathtub with a kidney missing. It felt like if we are telling an organ-harvesting story, it was really about quickly selling the iconography of an organ-harvesting story, and then being able to mask that as a perfect way for Hannibal Lecter to go shopping for his menu.
You know you're getting older when - well, first off, when you read almost any story that begins 'You know you're getting older when.' But you also know it when you not only never heard of the musical guest on a given 'Saturday Night Live' but never heard of the host, either.
First and foremost I have to look at the film from an audience point of view. Yes, one has to see the story from an actor's point of view as well so that you can showcase performance as well. However before that, I need to ensure hits.
I got to play with my older brother in high school and college, and I played with my younger brother in high school and college, so I kind of get to do everything, so it was really pretty sweet.
Even the older generation are able to understand things when they see it on TV and identify with it. A lot of people are able to empathise with the characters. They can also distinguish between good and bad.
As an older player, I really look forward to and love being able to mentor younger guys and be able to help them grow as well as going in there competing and trying to win games.
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