A Quote by Jason Black

When introducing a character, you're usually better off sticking with broad strokes. The important thing at that point is not what color hair someone has or how tall they are, but rather, what kind of person they are.
In my college days, I went wild with my hair. I dyed it every color in the book and, quite naturally, my hair would break off from all the damage. When our hair breaks off, of course, there's only one thing to do - braid it up. I wore braids for a while and would always feel like I just never knew what to do with my hair.
I'm a natural blonde, but my hair has been almost every color you can imagine. As an actor, I like to get into my character as much as I can, and often that starts with the color of my hair.
I'm interested in color belonging to something, where it takes on a completely new kind of vibrancy, rather than being what you would call straight abstract paintings. And anyway it is so much more exciting trying to find out about the three dimensions of color and sticking it down on a two dimensional surface.
For a long time I didn't want to do a solo thing, but there comes a point where everyone else is going outside of The Strokes and The Strokes filtering process.
Actually I think Art lies in both directions - the broad strokes, big picture but on the other hand the minute examination of the apparently mundane. Seeing the whole world in a grain of sand, that kind of thing.
I've always kind of gravitated toward characters who are a bit distant from the narrator or the point-of-view characters, so that's kind of important to me, to set up a different character who would be the point-of-view character for the story.
Race is a lie built on a lie. The first lie is that people are different, somehow skin color or hair texture is more significant than eye color, or the shape of one's feet. The second lie built on top of that is that there's a hierarchy that more significant difference, the color showing up as brown on your skin rather than brown in your hair, or whatever, is somehow more significant and there's some sort of hierarchy. That the lighter you are, the straighter your hair, the better you are.
Stand-up is very broad strokes, kind of a skeleton of a story or something.
When color TV arrived, it just sat there and you saw color. I've been to retail stores where there were no 3-D glasses at all and the 3-D images were all blurred. People were coming in and saying, 'I don't want to buy that.' There's a lot of marketing connected to introducing technologies and especially introducing new experiences.
When color TV arrived, it just sat there and you saw color. I've been to retail stores where there were no 3-D glasses at all and the 3-D images were all blurred. People were coming in and saying, "I don't want to buy that." There's a lot of marketing connected to introducing technologies and especially introducing new experiences.
It's actually a character choice for a movie I've been filming in South Korea called Okja. My director had this idea of having my hair be a very vibrant red/pink/watermelon color. We haven't finished filming so I'm kind of riding the wave of the red hair right now in terms of everything else that I have to do with The Last Tycoon press and you know, regular life. I'm really loving it. It's turning into a thing for me.
TV deals in very broad strokes. Like, 'Oh, that's my dumb friend', or, 'That's my funny friend.' A true best friend, a sidekick, has to be a little deeper then that. You have to feel like there's nothing either character won't do. That someone really, really has their back.
My hair is not really white; it's kind of grayish, and I don't like the color. So I make it totally white with Klorane dry shampoo. That is the best thing to do because my hair is always clean.
I have a color-coded computer spreadsheet that divides things down to chapter fragments. Each character's point-of-view is a different color. The text of the manuscript is color-coded the same way. The last thing I do before submitting the manuscript is turn all those colors back to black.
If you want to do your version, go off and write it. You bring your knowledge to it, and you can use that to shape it and color it, but it's someone else's version of that character. You're not actually playing the real person.
Unless you're playing a real character based on a real person, if someone else has done it before, you're probably better off not watching it as an actor. Otherwise you end up trying to copy someone else.
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