I think the most honest responses to the movies you get to watch are in houses and people's most private spaces, like the bedroom or in your own intimate space. I think that's where you feel safest, so when you're threatened in the place you feel safest, it makes for the scariest situations.
I think we all have a lot of different personas inside of ourselves. What happens in life is that most people get caught up in presenting one persona that they feel safest in.
A lot of people get home from work and sink into a good chair, the place in their life where they feel most comfortable. I get that comfort in space, the place where I most feel like I belong.
We always feel safest, I think, around the most dangerous person who's on your side, more than the nice good person who's on your side.
I think it's really important, especially with the work space, to create a place that makes people feel creative, where they feel safe, and they feel like they're instantly connected.
To be honest, I watch way more dramatic films when I'm chilling at home. I think when you work in comedy, you just want something different in your private life. Makes you feel balanced, I guess.
America was once the safest place. I used to ask our people why they were going there. They used to say America is the safest place.
I just want get to as high as I can go. I think that's the safest and most politically correct thing I can say. I'm not trying to take anyone's spot. I want to create my own lane and shoot to the sky.
I love dressing up - it makes me feel good. I think most people get that feeling when they put on a well-tailored suit. It like, boosts your IQ, your confidence, everything. And I think that that needs to come back into the norm more.
Family life itself, that safest, most traditional, most approved of female choices, is not a sanctuary: It is, perpetually, a dangerous place.
I think there's a lot of interesting stuff on TV. I feel much more optimistic about TV than I do about movies. There will always be good movies but I think, for the most part, it's always going to be a huge fight to get those movies made. TV is the best place to be as a writer, I think.
If you can get an audience to identify themselves with a character, they will subconsciously feel that their own lives are in danger. People tend to pay attention in situations like that. I think fear is the easiest, and most visceral, emotion to activate in an audience.
Audiences go to the movies to feel - and I feel like when people watch movies, their hearts are opened. I think that's the best way to influence change in the right direction.
Young women at our elite colleges are among the safest, most privileged and most empowered of any group on the planet. Yet, from the moment they get to campus - and now, even earlier - an endless stream of propaganda tells them otherwise. They are offered safe spaces and healing circles to help them cope with the ravages of a phantom patriarchy.
In politics, you're safest when you're saying as little as possible. You're safest when you've got your talking points and you stick to them like glue, even if it means repeating yourself over and over.
I associate a family as the safest place in the world. So when it comes to things that scare me, introducing instability and tension into where you're supposed to be the safest really strikes a chord with me.
I think I feel vulnerable most of the time. I feel on guard. I've gotten pretty good at putting my fists down and kind of allowing the world to be, so that I don't feel threatened as much.