A Quote by Jason Blum
Personally, I love books, and I am interested in the notion that stories are told better in different media depending on the story.
Quote Topics
Quote Author
Related Quotes
My books are love stories at core, really. But I am interested in manifestations of love beyond the traditional romantic notion. In fact, I seem not particularly inclined to write romantic love as a narrative motive or as an easy source of happiness for my characters.
I believe in the complexity of the human story, and that there's no way you can tell that story in one way and say, 'this is it.' Always there will be someone who can tell it differently depending on where they are standing ... this is the way I think the world's stories should be told: from many different perspectives.
Once I'd worked out that I couldn't possibly expect people to enjoy a monstrous, 3000-page book, I realised I could in fact create a labyrinth of a story with four different points of entry. But what interested me was creating something that would rearrange itself every time you read one of the other books. So depending on which order you read them, the implications and angles would change. To get that right, each one of the books had to have its own personality and texture -- even though they are connected, they are very different creatures.
It's only a story, you say. So it is, and the rest of life with it - creation story, love story, horror, crime, the strange story of you and I. The alphabet of my DNA shapes certain words, but the story is not told. I have to tell it myself. What is it that I have to tell myself again and again? That there is always a new beginning, a different end. I can change the story. I am the story. Begin.
People who take books on sex to bed become frigid. You get self-conscious. You can't think a story. You can't think, "I shall do a story to improve mankind." Well, it's nonsense. All the great stories, all the really worthwhile plays, are emotional experiences. If you have to ask yourself whether or not you love a girl or you love a boy, forget it. You don't. A story is the same way. You either feel a story and need to write it, or you better not write it.
There are a million ideas in a world of stories. Humans are storytelling animals. Everything's a story, everyone's got stories, we're perceiving stories, we're interested in stories. So to me, the big nut to crack is to how to tell a story, what's the right way to tell a particular story.
We live in a world where bad stories are told, stories that teach us life doesn't mean anything and that humanity has no great purpose. It's a good calling, then, to speak a better story. How brightly a better story shines. How easily the world looks to it in wonder. How grateful we are to hear these stories, and how happy it makes us to repeat them.
I am interested in people, and I am interested enough in people that I want to be friends with a lot of people and know about their lives. So I'm not a hermit. I'm also interested in writing about other things. It goes on and on. I sometimes wish that I had a different personality. But then I would write different types of books.
I love outsider stories. And I also like a lot of genre fiction, too. So I wanted to write a literary book that flirted with thriller and fantasy and even science fiction. I wanted the coming-of-age story and the love story to be about "outsiderdom" - one of the themes I am most interested in.
I personally have no shame in saying I am extremely interested in fashion. I am not as interested in trends. I won't go on Style.com unless I'm looking for stuff to wear to an event, or there's a designer I am interested in.
I was told stories, we were all told stories as kids in Nigeria. We had to tell stories that would keep one another interested, and you weren't allowed to tell stories that everybody else knew. You had to dream up new ones.
You see, I was told stories, we were all told stories as kids in Nigeria. We had to tell stories that would keep one another interested, and you weren't allowed to tell stories that everybody else knew. You had to dream up new ones.
Almost all of the stories in The Matchmaker, the Apprentice, and the Football Fan are told in the first person, yet, depending on the angle and distance of the narrator, they exert different effects. The best are those in which the speaker never poses as an objective outsider. (...) Other stories are damaged by the urge to distance the narrator.
As an artist, I am interested in telling stories that haven't been told before, stories that are going to affect people, and also stories that shine light on areas of history that haven't had light shined on them before.
I think there's so many points of view that you want to make sure your stories are being told from men and women... you get all of the different backgrounds. You don't want every story being told from the same point of view. So just for better storytelling, I'm like, 'Yes, please, bring some more ladies on.'
I pick different projects for different reasons. Usually, it's a combination of things. I admire the director, and I am interested in working with the director. Or, it's the cast. I can be moved by the story. The ideal situation is you love the director and you love the cast.
Related Authors
Bhushan Kumar Quotes
Indian
Producer
Declan Donnelly Quotes
English
Producer
Ekta Kapoor Quotes
Indian
Producer
Gauri Khan Quotes
Indian
Producer
J. Michael Straczynski Quotes
American
Producer
James Wan Quotes
Australian
Producer
Jimmy Iovine Quotes
American
Producer
Julie Plec Quotes
American
Producer
Noah Hawley Quotes
American
Producer
Noel Edmonds Quotes
English
Producer
Paul Heyman Quotes
American
Producer
Roger Ross Williams Quotes
American
Producer
Samuel Goldwyn Quotes
American
Producer
Shonda Rhimes Quotes
American
Producer
Travis Knight Quotes
American
Producer
Troy Carter Quotes
American
Producer