A Quote by Jason Blum
YouTube is found footage. It's here to stay, and people will always come up with new concepts that will make sense for found footage.
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I think what's exciting about doing it as found footage - if we all are being honest, found footage gets a little bit of a bad rap sometimes, but I think that there's a lot of potential in the medium in taking it seriously and in treating the audience with respect and in treating the characters with respect in terms of, why is the camera really on? Where would the camera be when it is on?
When people come to me with an idea and they say, 'We can do it found footage or traditional,' I always say to do it traditionally.
I found a lot of stuff that's never been seen before. That was the goal: to not use cliché Cold War footage but give people a sense of the place and setting. It's a field you still need. At first it was a lot of fun, and then later it became a little bit intimidating. "Oh my God, I've got so much footage. Where am I going to put it? What am I going to do?" I ended up really only reviewing about 20 to 30 percent of what I had. So it was a task.
There's this kind of incredibly mistaken idea that because it's so much cheaper to roll the camera than it used to be and it's so much easier to accumulate a ton of footage, that then you can just go shoot a ton of footage and the editor will make sense out of it. But if you don't have something deliberate made, you're not gonna save it in the editing room.
With every project I start out on, there's no footage. It's always a big slog to find the footage.
I was always looking at footage of dancers from Nicholas Brothers to Ralph Brown to Sand Man to Miller Brothers and Lois, and I grew up looking at old footage.
We actually found some home videos, some really funny footage of me when I was around 3 years old. I come up to the camera to do a Nixon impression. I don't know who taught me that, but I come up to the camera and said, 'I am not a crook.' I got a really good laugh. You see me register that bringing joy to people is a positive thing.
A lot of the reasons why people are annoyed at found footage movies is because people look at it like it's easy and that they could do it, too.
'Cloverfield' and 'REC' are great examples of movies that took kind of tired genres, the monster movie and the zombie film, and by filming them in found footage, it was a new perspective. It gives you a whole new take and helps you re-experience that all over again.
It's funny; before I started writing professionally, I had a job logging video footage for behind-the-scenes footage for special features.
I love archival films very much. I spent thousands of hours watching archive footage. Every time I see it, I see something. Sometimes I think I know this footage, but two years later, I see it again, and I see something new.
I investigated post-traumatic stress disorder. I've been to a unit where people are suffering from it, and I read a lot of literature. I looked at footage of soldiers in the combat zone. I found 'Restrepo' to be unbelievably useful.
I watched her do speeches, but the only footage we could find of [princess] Margaret was archive footage, which was of her public presentation of herself.
If we had a completely found footage feel, with no editing, then we would have a twenty four hour movie and that doesn't really work either.
As for that footage, video footage showing the dead children allegedly killed in the chemical attack, it is horrible. The question is only who did it and what they did, and who is responsible for this. These pictures do not answer the questions I have just posed. There is an opinion that it's a compilation by these very rebels, who are connected with al-Qaida and who were always distinguished by exceptional brutality.
Over time it just got more and more intense as far as the trust factor. For example, when we started editing the film [Dream of Life], I thought, man, I need to make sense of all the footage I have; I need to ground the film. And one day I was hanging out in Patti's [Smith] bedroom, which is where Patti works, and in the corner of her bedroom is this great chair, and that's when she began showing her personal things to me. The camera was there, and we realized that we were really making the movie and making sense of the footage in the movie.
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