A Quote by Jason Blum
My easiest judgment for a script is 'do I want to keep reading it?'
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When Lars Von Trier calls me, I say yes without reading the script because often the script hasn't been written yet, and if Fincher called me again, I'd say yes without reading the script, too.
You know, my problem with most screenwriting is it is a blueprint. It's like they're afraid to write the damn thing. And I'm a writer. That's what I do. I want it to be written. I want it to work on the page first and foremost. So when I'm writing the script, I'm not thinking about the viewer watching the movie. I'm thinking about the reader reading the script.
I always tend to see, right after reading the script, the character and how I want to play it. I guess that's sort of most of the work, preparing for the role, but almost the creation of the character seems to go on as I read through the script.
Every time I do a movie, I'm reading the script, or if it's something I have coming up, I'm reading the script, and I just spend hours and hours and days and weeks and months going over the script and just writing a lot of different ideas down, finding a little dialogue or just coming up with ideas for scenes and moments and all that kind of stuff.
I learned so much about myself from reading this script and doing this movie [Shelter] because the level of judgment and the lack of humanity I saw in myself was disgusting. I never took into account what a homeless person might have been through.
It's much harder to act in a bad film than in a good one. A terrible script makes for very difficult acting. You can win an Academy Award for some of the easiest acting in your career, made possible by a brilliant script.
It always starts with a script. I like to have plenty of time to read something, and I always like to read a paper copy. I hate reading it on email. I sit down with a script, and want to see how it hits me. It's an instinctive process.
At the same time, reading an action script... It makes me wonder. Was The Matrix a good script? I don't know.
When you finish reading a script and think it is good but have reservations about a kissing scene, it means that you haven't understood the script completely.
If a script has that affect on me during a reading, then it is definitely a film I want to be part of.
As we were negotiating, I didn't have a script. Once the deal is closed, they let you read the script. So, I got the script and was reading it like, "Oh, please be good!," because I'd already signed on the dotted line. And I read it and just went, "Okay, I'm going to be okay. Thank god!" It was a really funny, moving story.
I take a lot of trains, so I love reading on the train. I get really annoyed when there are no delays, because I just want to keep reading and finish my book.
When I'm reading a script and I see the word 'lumbering' I go, 'Oh, that's probably the part they want me to read for.'
Whenever I decide that I want to participate in a project, even reading the script keeps me excited.
I wish in my own mind I were more definite - that I was absolutely convinced I'd never direct someone else's script, but I keep reading scripts, because I might find something.
Now, academics are not always the easiest people to talk to, and the scholarly papers aren't always the easiest papers to read, but frankly, psychology papers, especially papers and books on terrorism, are very easy to read, and journalists should be reading them.
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