A Quote by Jason Blum

The key to a good horror movie is what happens between the scares. The scares aren't the tricky part. If you're involved in what's going on in between, the scare is going to trick you. If you're not, the best scare in the world will not be scary.
At the end of the day, a "jump scare" scares the audience for the moment. Slow burn horror ideas scare people forever.
I've always felt that there's a lot of similarity between doing a comedy and doing a scary movie because jokes and scares are all about timing. If you give the punch line too early or too late, the joke falls flat. And it's the same with a scare.
Do you want to know what scares the Washington cartel? Actually, not remotely. I don't scare them in the tiniest bit. What scares them is you. What scares them is that old Reagan coalition is coming back together, of conservatives.
A good horror movie - it doesn't matter how many comedy horror films there have been before. Doesn't matter how much you think it's going to be funny. A good horror movie will scare the hell out of you... the moment you sit down and you start being exposed to that story, it's going to freeze your blood.
For me, the slower burn is a deeper and more effective scare. But I only like those kinds of scares when they're really earned. I don't like false scares.
With a horror movie most of the actual jumps and scares are made in the edit. It's often not very scary on set and then you watch the film and suddenly it's very scary because the way the jump scares fit together building up the suspense in the audience because it's making them jump when they're least expecting it.
Audiences have grown to equate being startled with being scared, and will complain that a movie 'isn't scary enough' if it doesn't have enough jump scares... so that means that a lot of studios will insist on shoving jump scares into a movie, regardless of character or story structure, thinking it 'makes it scarier.'
The scares are the easier part of scary movies. The hard part of scary movies is what leads up to the scares.
The real scares on CNN, etc. and the scares in a movie, like 'The Purge,' are totally different. One of the ways you can tell when someone, whether it's a film maker or executive or producer, wants to make a scary movie but doesn't understand that distinction is they'll want to recreate too much of what's on TV.
Getting older is baggage for so many people but I don't spend time on things I can't control. Wrinkles don't scare me; they're a part of life, and I will and do embrace them, but I look at surgery, and that scares me.
And when you're alone there's a very good chance you'll meet things that scare you right out of your pants There are some, down the road between hither and yon, that can scare you so much you won't want to go on.
If youre going to be an entertainer, entertain thoroughly. If youre going to make a scary movie, scare people well.
There's nothing scarier than silence. A lot of horror movies lean on hits and score to try and create tension, which actually does the opposite. The best scares come from a desire to see the character overcome what they're dealing with in the scene. If you care about the character you'll care about the scare.
Horror is great storytelling with scary elements on top of it, but if you don't have great storytelling, you can have all the scares in the world, but the movie won't work.
I just wanted to be a part of something that's a horror movie that scares you.
Monsters don't scare me at all; I think creepy is scarier than gore. I tend to read more thrillers and mysteries than horror, though. I like a good whodunnit. If I want scary, I tend to reach for a movie. I think it's a great medium for horror.
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