A Quote by Jason Bonham
A song like 'When The Levee Breaks' has a very simple pattern, but it's hard to give it that feel that my dad gave it.
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The fourth album encapsulated some remarkable music that was really groundbreaking. We were able to have something like 'When the Levee Breaks,' which, sonically, was very menacing. But then you had the flip side: something like 'Going to California,' which is really intimate.
I didn't feel like I belonged with my mom. And I didn't feel like I belonged with my dad. Since they were separated, I kind of felt like I didn't belong anywhere. So my grandparents gave me that stability, gave me the feeling like I had something and I came from some place.
Drove my chevy to the levee but the levee was dry.
There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art. ... A lot of my songs are very serious, I'm like dead serious about certain things and I feel that I'm writing about the world, through my own eyes. ... I have a love for simple basic song structure, although sometimes you'd never know it. ... Most of the songs I wrote at night. I would just wake in the middle of the night. That's when I found the space to write.
I mean, my wife is always like - I don't write lyrics. So I couldn't, like, really technically write a song for anyone. I could write a very nice instrumental. So she always sort of gives me a hard time because it's just such a ridiculously impossible standard to live up to, that your step-dad wrote that song for your mom.
When a child dies, it breaks the pattern, the most fundamental pattern in life.
We have seen levee breaks and flooding in the wake of storms, some of which have caused the loss of life, and USDA is ready to assist in any way we can.
I feel connected to every song on this record [ 'Modern Vampires Of The City' ], but yeah I think there's something special about 'Young Lion'. It's pretty different from any song that we've had before because the vocals are kind of between two different very simple instrumental piano melodies and it's almost like something that we call a vignette, it's sort of like a miniature.
I feel like this song [Yello, "Oh Yeah"] was probably done in a couple of minutes in a studio. There was probably no thought behind it; they were just playing with some samples and threw it together. I feel like there's no dream behind the song. Usually there's a dream or some kind of passion attached to a song. This song feels very empty. It made a lot of money for the songwriters but at the expense of culture.
It's very hard to be an artist, on my first album, and I'm like asking for money for a music video for every song - it's so hard to do. You have to pick your battles for sure, but I definitely want - and I've always worked to make it all connect - for all of it to feel cohesive.
I feel like every time I write a song, it feels like the first time I wrote a song. It's just as hard; it doesn't get easier, but that's why I love it: because it's a challenge every time. I also feel like I'm learning new ways.
My dad was a hard worker, very dedicated to his family - very smart. Didn't like to be told what to do. Kind of where I get my stuff from. One of the things that I've learned from my dad is - good or bad - is not to trust.
I like to give clues - titles - that can give a simple, evocative hook into what picture or feeling welled up in my mind when I came up with the song.
Work hard and do it right. Very simple; but very effective. They are morals I got from my mum and dad. And within that are the details. Be respectful. Try and smile, try and enjoy it. They are things that I still value.
But for a song like 'Paprika,' I typically feel like I need to experience anguish a lot of the time to feel like I've put in enough hard work.
Limitations are something that I latch onto - like working in genre, or if you're writing TV, there are act breaks, there's a length of time it's supposed to be. The restrictions of budget and sets can be really useful. When you can have everything, it's very hard to make things feel real and lived in.
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