A Quote by Jason Calacanis
Journalists have misquoted people for so long - and quoted them out of context that for many people like to have their words on record.
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I've heard it quoted that I was dead. You can't believe anything you read. That was just an off-hand remark somebody picked up, and now it's been quoted and quoted, and therefore misquoted.
I know that sentence is long and has too many joining words in it but sometimes, when I'm angry, words burst out of me like a shout, or, if I'm sad, they spill out of me like tears, and if I'm happy my words are like a song. If that happens it's one of my rules not to change them because they're coming out of my heart and not my head, and that's the way they're meant to be.
I've been really upset sometimes when I've been misquoted. And it's the one thing they use in big print. Or it's taken out of context. Thoughts are fluid and words are sticky. That's the thing.
You need that marketing power. You need to go do the interviews. You need to put yourself out there and risk and be open to the fact that people are going to not like you, and they are just going to rip you apart, and whatever you say in an interview can get quoted out of context.
Every interview is as much an impression of the journalist as it is the artist or subject. You look at interviews and you see a portrait of two people. The worst thing that can happen is if you're misquoted and then that quote is misquoted. That does drive one crazy. The most embarrassing thing is when your words are misrepresented or sometimes you say something stupid and you live to regret it.
I don't like doing interviews. There is always the problem of being misquoted or, what's even worse, of being quoted exactly.
In reality, there's a limit to putting a record out yourself. When it comes to working with major record companies in the context of them owning anything, though, that will never happen. Ever. In my life.
When it all started, record companies - and there were many of them, and this was a good thing - were run by people who loved records, people like Ahmet Ertegun, who ran Atlantic Records, who were record collectors. They got in it because they loved music... Now, record companies are run by lawyers and accountants.
A newspaper, as I'm sure you know, is a collection of supposedly true stories written down by writers who either saw them happen or talked to people who did. These writers are called journalists, and like telephone operators, butchers, ballerinas, and people who clean up after horses, journalists can sometimes make mistakes.
I had this perverse gravitation towards using a terrible cliché sandwiched in between absurd non-clichés because I thought it gave the cliché a new resonance. It kills me when my lyrics are misquoted, but as long as people are quoting them right, I don't care what anybody has to say about them.
Too many trees are killed to print the words of people who may not have all that much to say, and authors and journalists are equally culpable in this regard.
When it all started, record companies - and there were many of them, and this was a good thing - were run by people who loved records, people like Ahmet Ertegun, who ran Atlantic Records, who were record collectors. They got in it because they loved music.
The biggest problem I have in journalism is being quoted or misquoted and then being asked to defend something I haven't said.
It makes sense that that's part of the story and everything, but that's part of any story of any record - where was it record and how long and what were the people doing. I think people want to know where these events are made. That's why I like the word "record."
I do think people would be surprised to know that journalists from various news outlets are in this together in many ways in terms of these long hours and in terms of really sharing a desire to get information to the American people.
With The Fugees initially, and even with 'Miseducation', it was very hip-hop - always a singing over beats. I don't think people have really heard me sing out. So if I do record again, perhaps it will have an expanded context. Where people can hear a bit more.
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