A Quote by Jason Clarke
Yes, films need to make their money back - it's an expensive business, and people need to be paid for what's involved - but just because you can, it doesn't mean you should.
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I don't see me doing $100 million films because $100 million films, the very nature of them, you need to offend as few people as possible just to make your money back.
We are a mission-driven company. In order to do this, we have to build a great team. And in order to do that, you need people to know they can make a bunch of money. So we need a business model to make a lot of money.
What the rest of the world knows about Mexico is what they see on films and the bad news they see on TV. We need to make films that are worthy of who we really are as Mexicans. We also need to make cinema that reflects the diversity in the region, so that Americans and Europeans know who Mexicans are, who Salvadorians are, who Cubans are, etc. We need to do it, and all we really need is support because we have the talent.
We need to throw the resources at this that are necessary. But like I say, we are not spending money. I mean, if we buy these assets intelligently, the United States Treasury will make money. I mean, it's borrowing money. It's just a few percent a year.
If you want to make an impact, you need to invest your time every bit as much as your money. And you need to stay involved for the long run. If you can't look at a five-year horizon, you shouldn't get involved.
If you screw up five films straight, then you're done. It's a business, the producer invests money and you need to make sure his money is recovered and in the process you give out the best film.
There are some who apparently feel that the fight for freedom is separate from the Gospel. They express it in several ways, but it generally boils down to this: Just live the gospel; there's no need to get involved in trying to save freedom and the Constitution or stop communism.... Should we counsel the people, 'Just live your religion - there's no need to get involved in the fight for freedom?' No we should not, because our stand for freedom is a most basic part of our religion.
If you're good at the art and you wanna make money, then it's fine. But if you're just doing it because you know you're gonna make money, then I don't know. Some people do it just because they need the money, but it depends on a lot of things.
The thing is, right now the films don't need to be overtly political to be about our times. We also need films that are just human, that are about people. People need that, too. It's like we need to reconnect to what it is to be human. Not just what our political situation is. That's not what I'm thinking about exclusively. Human content is needed again, as it was in the '70s. I think films were more human than they've been since then.
It seems to be that more and more people are asking you to work for nothing on films, and that's unfortunate because you have to make a living. On the other hand, I don't do a better job because I get paid a lot of money. I'm never like, 'I'm not going to work as hard because I'm not getting paid as much.'
I have the final say in the business side of my boxer's career. But as far as me being in the meetings every day, the back and forth of the paperwork and stuff like that, I have got a job to do. I am in the gym every day. The fighting lifestyle is an unforgiving one. You want to keep yourself as focussed and stress - free as possible. I have a team who focus on the more complicated aspects, on the business side of boxing, which I don't need to get myself involved in. I think I am involved in the business as much as I need to be.
Yeah, unfortunately [ films like Miss Julie are a dying breed]. And that is sad, because we need these. Like we need books, we need classical music, we need ballet, we need opera, to remind us really of who we are and why we are, and we need in movie houses - even to be in a movie - where you sit and see not only excitement and man-hero, woman-hero, you need quietly, just like that Hawking movie we talked about, to know how people overcome.
I've been learning about defunding our investment in police force mentality, and reinvesting in, what do young people need? What do people who get involved in drugs need, what do families need outside of money to take care of their families?
When you check into a hotel, they don't need to know your name and address; they just need to know that the bill will be paid. People should ask questions.
If your income on films or whatever you're producing using film drops below a certain level, then you don't have enough money to stay in business. People like to say that this is all just about making money, but if you don't make money, you don't make anything.
The problem with American cinema is that because you're making films with huge amounts of money you need to hit the lowest common denominator in order to make it back and so therefore you're not allowed to play with moral ambiguities or ask questions.
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